Lend Me Your Face:
Go Fake Yourself!
Deepfake AI net art, Tamiko Thiel and /p, 2020/2021
Commissioned by The Photographers' Gallery, 2021
- Les reportages à voir sur le sujet
- Comment ça fonctionne ?
- Pourquoi c’est utile ?
- Pas de FAI ? Pas de problème
- Le prix ? Moins cher
- Résilient
- Censure
- Neutralité/Vie Privée
- Communauté
Parties
1 Any Browser ( www navigateur_browser )
2 Tor Browser ( dn_tor_onion #.onion )
3 Beaker Browser ( dn_dat )
1 = http://olia.lialina.work/self-portrait
2 = http://bn2lik7torbun6z2.onion
3 = hyper://a81117c7c60d9df7602ad62b265c6f7f034b40b17abbbcd7ab55dbb701fd2e7e/
@Olia_Lialina, 2018
UPDATE 2023
- exposition, supports audio, visite en 3D... @Espace_Mediagantner
https://www.espacemultimediagantner.cg90.net/fr/exposition/olia-lialina-something-for-everyone/
https://vimeo.com/466173173
une présence sur d'autres réseaux, par d'autres protocoles
H3K (Basel) lui attribue un prix ...
https://www.hek.ch/fileadmin/hek_files/Presse/Press_release_net_based.pdf
"Winner of the net based award 2018 : @Olia_Lialina, "Self-Portrait"
With Self-Portrait, Olia Lialina continues her series of “networked” portraits, which explores the relationship between the work and its technological context, highlighting the ever-changing network conditions and our position within this one. After having played with variations in speed of transmission on the web (Summer, 2013 ) and having questioned the consequences of an abandonment of net neutrality (Best Effort Network, 2015 ), Olia Lialina invites us with her latest work to think of the web in its various dimensions, beyond its best-known public face. To contemplate this self-portrait, not less than three web browsers are required: a classic browser ( firefox , Chrome, Safari, etc.), an anonymised and secure browser (Tor) and a “peer-to-peer” browser (Beaker).
By juxtaposing these three windows open onto different parts of the network, we can recompose the fragmented face of the artist whose hair is blowing in the wind with ever so slight discrep-ancies in the movement"
http://www.janezjansa.si/about-jj/
"In 2007, three artists joined the conservative Slovenian Democratic Party (SDS) and officially changed their names to that of the leader of the party, the Prime Minister of Slovenia, Janez Janša. While they renamed themselves for personal reasons, the boundaries between their lives and their art began to merge in numerous and unforeseen ways."
Original website http://www.no-home-like-place.com [DEAD]
--> Git https://nonlinearnarrative.github.io/no-home-like-place/
Airbnb is a global hotel filled with the same recurring items. Bed, chair, potted plant, all catered to our cosmopolitan sensibilities. We end up in a place that's completely interchangeable; a room is a room is a room.
An algorithm finds these recurring items and replaces them with the same items from other listings. By clicking them, you can jump between rooms and explore the global hotel. There are many homelike places.
Open-source
You can find the source code for the various tools we created and used to make this website on Github.
Workshop
Outcome of a week-long web scraping workshop led by Jonathan Puckey at Non-Linear Narrative, a masters programme at the Royal Academy of Art The Hague. "
GIT : https://github.com/nonlinearnarrative/no-home-like-place
GIT : https://github.com/nonlinearnarrative/scrape-airbnb ( scrape-airbnb )
Cours : Master @Non_Linear_Narrative :
https://www.kabk.nl/en/programmes/master/non-linear-narrative
( @Royal_academy_of_art_the_hague )
" Led by @Jonathan_Puckey " :
https://puckey.studio UX
( où il relate des projets aussi fun que pointer-pointer [Bulle] )
Je l'ai aussi retrouvé ici https://work.bnjmnearl.eu/projects/no-home-like-place/
( un site d'artiste web.créatif ... avec plein de projets fun )
Étrange de redécouvrir cet appartement infini en cette ère du covid
"Toutes les lettres que vous allez lire sont authentiques. @Julien_Prévieux est artiste. Il y a huit ans, après avoir vainement cherché un emploi, il s'est mis à les refuser tous. Il a décidé de prendre les devants : refuser l'emploi qui nous est de toute façon refusé. Depuis, il a rédigé et envoyé plus de 1 000 lettres de non-motivation en France et à l'étranger. Il a reçu environ 5 % de réponses, en majorité automatiques. Vous trouverez ici une sélection des meilleures lettres, regroupées en deux parties : celles avec les réponses des entreprises et celles restées sans réponse."
-- éditions la découvert
-- extraits https://www.previeux.net/pdf/nonmotivation.pdf
-- émission radiophonique 2016
https://www.franceculture.fr/emissions/l-atelier-fiction/radiodrama-23-lettres-de-non-motivation-de-julien-previeux
"Déconnexion : pourquoi votre cerveau a besoin de silence pour se régénérer
Vacances riment avec silence. Enfin, vous allez pouvoir éteindre votre réveil, vos notifications sur votre téléphone portable, fuir l’open space et son brouhaha. Grand bien vous fasse, car le silence est vital pour notre cerveau : c’est même ce qui lui permet de se régénérer.
Dans ce nouvel épisode de Travail (en cours), le neuroscientifique Michel Le Van Quyen, chercheur à l’Inserm et auteur du livre Cerveau et silence, nous explique ce qu’il se passe et ce qu’on observe dans notre cerveau lorsqu’il est au repos et dans un silence total. "
2020
Voir aussi :
2013 // How Not to be Seen: A Fucking Didactic Educational .MOV //
https://www.artforum.com/video/hito-steyerl-how-not-to-be-seen-a-fucking-didactic-educational-mov-file-2013-51651
Revue :
https://www.artnews.com/art-news/news/hito-steyerl-videos-ranked-13002/
Infos / intro
: https://datadating.tacticaltech.org
Bases de données / Contextes
: https://datadating.tacticaltech.org/viz
"In May 2017 Tactical Tech and artist @Joana_Moll purchased 1 million online dating profiles for 136€ from USDate, a supposedly US-based company that trades in dating profiles from all over the globe. The batch of dating profiles we purchased included pictures (almost 5 million of them), usernames, e-mail addresses, nationality, gender, age and detailed personal information about all of the people who had created the profiles, such as their sexual orientation, interests, profession, thorough physical characteristics and personality traits. Purchasing this data exposed a vast network of companies that are capitalising on this information without the conscious consent of the users, whom ultimately are the ones being exploited."
Me fait penser à https://liens.vincent-bonnefille.fr/?bWkaUg
No Home Like Place - ce côté intrusif et esthétique du glitch_shading
EVA AND FRANCO MATTES
http://0100101110101101.org
2000 - 2003
Originally commissioned by the Walker Art Center and curated by Steve Dietz, Life Sharing by Eva and Franco Mattes (0100101110101101.org) was a radical gesture of self-surveillance. For three years, the couple made the contents of their home computer accessible to the public. All of the contents–including files, emails, bank statements, and so on–were available in real time to be read, copied, and downloaded.
>> http://lifesharing.rhizome.org/
par Ben_Grosser 2015
computational surveillance system
Tracing You presents a website's best attempt to see the world from its visitors' viewpoints. By cross referencing visitor IP addresses with available online data sources, the system traces each visitor back through the network to its possible origin. The end of that trace is the closest available image that potentially shows the visitor's physical environment. Sometimes what this image shows is eerily accurate; other times it is wildly dislocated. What can a computational system know of our environment based on the traces we leave behind? Why might it want to see where we are?
Please draw a map of the internet, as you see it. Indicate your “home.”
:::
STP dessine moi une carte d'internet, comme tu le_la vois. Indique ta maison ( hôte demeure chez_soi )
Your age __________
Your occupation _____________________
Average number of hours per day on the internet ___________
Return to Kevin Kelly ...
+++
Certaines références au post-it de la NSA ...
http://www.slate.fr/monde/79514/parodies-slide-nsa-post-it-smiley-espionnage-google
More than ever, creative people find their attention pulled in many directions by many different apps and digital tools. Staying up-to-date on social media and responsive to so many forms of online communications often feels mandatory in order to keep working. But, it can be both exhausting and dispiriting to build a creative practice while “extremely online.”
@TCI : The Creative Independent
[DEAD] Waybackmachine
I follow an exercise program every day. The app on my phone tells me exactly what to do and how long to do it, and I like that because the goals are set for me, and I know that if I follow the instructions I will gain fitness.
..
Nothing like this exists for the fine art world. It works so well, though, that I started to wonder whether even a basic instruction set could be created.
.
What follows is a two-stage process for creating a sustainable artist project that won’t end in burnout or bankruptcy.
A TEN-STEP GUIDE TO CREATING A SUSTAINABLE ARTIST SPACE
TIPS FOR MAKING ARTIST SPACES SUSTAINABLE
@TCI : The Creative Independent
2016 by @Silvio_Lorusso
https://vimeo.com/148146455
[ Video + transcript of the talk I gave at the ‘Artistic Interventions in Finance’ panel during @MoneyLab : Economies of Dissent 2015 ]
"Today, I’m gonna talk about a project called //Kickended and the path that my research took from there. Made in 2014 , //Kickended is a Kickstarter clone that only includes campaigns nobody wanted to pledge for. Campaigns that raised exactly zero dollars.
[...]
Kickended itself is the result of a failure — if you want to call it like that — since I originally submitted the idea to Rhizome’s Net Art Microgrants competition. Kickended made it to the final round but, unfortunately, it didn’t go through."
Fake It Till You Make It :
https://youtu.be/0yKig9gGwko
https://liens.vincent-bonnefille.fr/?OXX4gg
ads_tracking
on retrouve ce projet dans cette compilation d’œuvres web.art @rhizome 2014
https://rhizome.org/editorial/2014/sep/11/announcing-microgrant-juror-finalists/
Book, Publication, with Onomatopee, 2019
Entrepreneur or precarious worker? These are the terms of a cognitive dissonance that turns everyone’s life into a shaky project in perennial start-up phase. @Silvio_Lorusso guides us through the entreprecariat, a world where change is natural and healthy, whatever it may bring. A world populated by motivational posters, productivity tools, mobile offices and self-help techniques. “A compelling and relentless j’accuse: debunking the social and political myths that push an increasing number of persons to perform in the entrepreneurship circus — with no safety nets.”
—£ @Antonio_Casilli , author of En attendant les robots, 2019
Pendant un mois, @Pierrick_Sorin se film a chaque réveil. Il déclare sans cesse qu'il est fatigué et se promet a chaque fois de se coucher plus tot, mais on le retrouve toujours aussi fatigué le lendemain. A travers ce film, il constate une sorte d'échec quotidien que tout le monde est capable de connaître.
( 1988 )
Petit site interactif pour bien comprendre comment ça marche la mémoire et comment mieux se souvenir !
Titre original :
Comment Se Souvenir De Tout Pour (Quasiment) Toujours
Non seulement les pratiques courantes comme les cours, le bachotage et la relecture sont ennuyeuses, mais en plus la science a montré qu'elles ne marchent pas si bien.*
Entraîner sa mémoire !( par @Nick_Case )
- https://www.youtube.com/watch?v=RVB3PBPxMWg&t=225s
--> Fiches / Flashcards / boite de @Leitner
Best ( Strasbourg Pod_Mook )
alt tuto
- https://www.youtube.com/watch?v=STIAy6Q_nFc
~ Fiches /Anki/ ( flashcards ) - https://apps.ankiweb.net
-->
Mémoire à long terme - https://www.youtube.com/watch?v=0Hlq42fQACw
----> wiki ! https://fr.wikipedia.org/wiki/Carte_mémoire_(apprentissage)
----> ........ https://fr.wikipedia.org/wiki/Répétition_espacée
----> ........ https://fr.wikipedia.org/wiki/Courbe_de_l'oubli
Notes / remarques
Un découpage en petit morceaux qui me rappelle la philosophie/méthode Zettelkasten et dendron (/Obsidian/-like). On fragmente les contenus qu'on vient ensuite activer par des "triggers" le plus souvent possible. C'est un peu ce que je fais {ici} aussi avec un carnet de {bulles} à entrées multiples ! Je reviens sur une ressource et, à chaque fois, j'en remonte d'autres (par association) ! La clé à mon sens, c'est de rejouer les cartes, de remettre en jeu les connaissances sous des angles variés, en y revenant souvent.
Planifier / Calendar
-
https://examstudyexpert.com/leitner-system/
Box 1 – review daily
Box 2 – review every other day, say: Mondays, Wednesdays, and Fridays
Box 3 – review once per week, perhaps Saturdays
Box 4 – review every other week
Box 5 – review once a month and before your exam -
https://www.scribd.com/doc/295361532/Leitner-Schedule#
--> https://bulle.vincent-bonnefille.fr/pj/Bulles/Bulle_2f747A_mémoire_Leitner/scribd_leitner-boxes-the-game-schedule-gabriel-wyner-fluent-forever.pdf
