https://coolguy.website/map-is-the-territory/introduction.html
Une introduction narrative (en anglais) aux mystérieuses lignes de commandes et autres terminaux pseudo muets... une entrée en matière bien pensée, drole, sensible !
Un peu du meme type,
cette fois sur le CSS/HTML et sa mise en page
(plutot bien fourni, pédagogique)
https://curly-braces.hashbase.io/claimer.html
via un site de zines autour du code mais pas que :
https://solarpunk.cool/zines/
Terminal, un monde de text
le site et ses créations https://coolguy.website/home
indieweb web.créatif
Creative Webrings
Neocities Webrings
Misc. Webrings
Webring-related
Webring maker ( js + css ) made easy !
https://garlic.garden/onionring/
Demo
wwww.bonnebulle.xyz
Découvert via a repertory
https://yesterweb.org/webring/
( contient de CGU )
Webrings
Link Directories
Random Site Generators (for fans of StumbleUpon)
Search Engines
“I evoke the term ‘handmade web’ to suggest slowness and smallness as forms of resistance.”
— J. R. Carpenter
Cours d'HTML autour du fait-main (hand-made)
ressources bien pensées, exercices
dimanche 2 février 1997
Manifeste du Web indépendant
en français
par le minirézo
Le Web indépendant, ce sont ces millions de sites offrant des millions de pages faites de passion, d’opinion, d’information, mises en place par des utilisateurs conscients de leur rôle de citoyens. Le Web indépendant, c’est un lien nouveau entre les individus, une bourse du savoir gratuite, offerte, ouverte ; sans prétention.
Face aux sites commerciaux aux messages publicitaires agressifs, destinés à ficher et cibler les utilisateurs, le Web indépendant propose une vision respectueuse des individus et de leurs libertés, il invite à la réflexion et au dialogue
fake deepfake
en voir d'autres, chats, machines...
via https://thephotographersgallery.org.uk/flash-fictions-open-call
https://unthinking.photography/articles/interview-with-nestor-sire
https://unthinking.photography/articles/interview-with-nestor-sire-part-ii
" By the mid- 2000 s, cell phones, computers and DVD players could be bought on the black market and many families acquired them. So, with the absence of the Internet, businesses like my grandfather's started renting audio-visual materials for home-entertainment. "
" Can you explain what El Paquete Semanal is? "
"My grandfather creating copies of films on VHS cassettes with two video cassettes"
Expo :
- https://nestorsire.com/en/obras/ ( posts - items - iterations )
http://www.nestorsire.com/2018/09/12/commons-la_red-snet-2018/2018
--> https://nestorsire.com/paquete-semanal/
( #.dead https://web.archive.org/web/20210507230129/http://www.nestorsire.com/2018/09/12/commons-la_red-snet-2018/ )
Interview
- (FR) https://www.switchonpaper.com/societe/liberte-dexpression/el-paquete-tout-cuba-sur-une-cle-usb/ + Exposition
- --> http://queensmuseum.org/2017/01/julia-weist 2017
Vidéo
- https://invidious.fdn.fr/watch?v=XHvo7hDDPW0
- https://vimeo.com/140535814 (packetos documetaire de NS)
Bulle in the past : https://liens.vincent-bonnefille.fr/?E-jaow
- On le retrouve dans le Cinéma Pirate Book :
http://thepiratebook.net/el-paquete-semanal-cuba/
Lend Me Your Face:
Go Fake Yourself!
Deepfake AI net art, Tamiko Thiel and /p, 2020/2021
Commissioned by The Photographers' Gallery, 2021
"Within the Terms and Conditions’ is a part of a new form of practice of mine that I describe as ‘expanded documentary.’ I’m both an artist and a researcher; I’ve been researching online harassment, digital violence, and human rights in technology since 2013, and I’ve been making art for even longer. I’m interested in the ephemera of people, current events and communities, and this includes digital content. Memes, screen grabs, and ripped YouTube videos may seem like unusual topics for photojournalism and contemporary art, partly because the Web is already such a flat and image-focused space. However, this work lends itself well to expanded documentary; it’s a bit like taking a camera within the different corners of the Internet and documenting what is there. As an artist, I take the web seriously as a place where people live and events unfold because online life is real life, too. The phrase “it’s just the Internet, it’s not real life” minimises that digital harm but it is also a phrase I heard being repeated many times in my research, from online harassment videos to reactionist videos posted by white supremacists after the failed coup in the United States capital on 6 January, 2021 ."
note : parle aussi de TERFs and anti-trans rhetoric (terme ajouté à bulle)
A project by @Joana_Moll 2021
COVID-19 crisis has exposed a massive social, ecological, political, and economic systemic failure. Even though the causes and consequences of this crisis are highly complex and profound, we’ve been repeatedly told that it can be solved with yet another app. This technical problem-solving approach is commonly known as techno-solutionism. Techno-solutionism tends to simplify and obfuscate the several realities that trigger the particular problems that it’s trying to fix; it simply doesn’t cope with problems. Even though it’s been demonstrated that techno-solutionism doesn’t work when it comes to fixing highly complex events, such as the current global pandemic, it is once again enthusiastically embraced as the only possible answer to a critical situation. But who is defining and implementing these technological fixes?
https://thephotographersgallery.org.uk/imaginingnetworks #<3
.dead => https://web.archive.org/web/20210626174703/https://thephotographersgallery.org.uk/imaginingnetworks
interview
https://invidious.fdn.fr/watch?v=PGtQT_PGeGQ
part of ( 2022 )
https://aksioma.org/new.extractivism
œuvres / pièces
...
https://thephotographersgallery.org.uk/joana-moll
https://www.janavirgin.com ( site de l'artiste )
_DEFOOOOOOOOOOOOOOOOOOOOOREST ( 2016 )
https://www.janavirgin.com/CO2/DEFOOOOOOOOOOOOOOOOOOOOOREST.html
.
_THE DATING BROKERS ( 2018 )
https://datadating.tacticaltech.org
https://datadating.tacticaltech.org/viz
.
_ALGORITHMS ALLOWED ( 2017 )
http://algorithmsallowed.schloss-post.com
.
_THE HIDDEN LIFE OF AN AMAZON USER ( 2019 )
https://www.janavirgin.com/AMZ/
. . .
Le @CSNI est un site ressources / processus.créa.art
FULL .pdf
via CSNI – Centre for the Study of the Networked Image
https://www.centreforthestudyof.net/ [bulle]
...
via https://networkedart.blog/blog/2020/10/12/geoff-cox-the-museum-of-ordure-2001-onwards/
from https://liens.vincent-bonnefille.fr/?tIgT6g
Some cool titles :
NFTS and Photography
Rhizome ArtBase Relaunch
Alternative networks in Cuba
Book launch: Aesthetic Programming
Call for funded PhD: Networked Curating
The Environmental Impacts of Digital Cultural Production
Between Camera & Network: Art and Documentation in Post-Photographic Culture
via https://networkedart.blog/blog/2020/10/12/geoff-cox-the-museum-of-ordure-2001-onwards/
from https://liens.vincent-bonnefille.fr/?tIgT6g
https://networkedart.blog/blog/2021/06/13/isea-workshop-blog-the-museum-of-ordure-by-bilyana-palankasova/
"Networked Art Practice after Digital Preservation”
The Museum of Ordure’s Mission is to examine:
The cultural value of ordure, shit, rubbish.
The waste of human resources through various ownership, production, and management regimes.
What is shit for some, has value for others.1
finded via https://liens.vincent-bonnefille.fr/?ZAgXwA
I came to this^ conclusion sometime during quarantine when I realized that certain websites give me a sense of shelter and rest more than others.
These spaces that particularly stood out to me all had some quality of
slowness,
quiet,
and/or gathering.
More serious liste with filter, conferences...
http://aaaan.net
" During the mandate, Lara will explore the intersections between ironic and informative usage of Internet. She will conduct a series of interviews and create a digital archive of ‘Weird Web’ examples. "
" I first came across the term ‘Weird Web’ on It's Nice That in an article written by coder and artist Neal Agarwal. He describes an early form of the internet before its monetisation and intense focus on clicks and social media. He describes this former internet as ‘a place where online creators expressed themselves through interactive content, games & experiments. It was a place that brought delight & joy.’ I believe that if you look hard enough, you might just find that the weird web lives on today. "
...
" According to psychologist and professor Larry Rosen , ‘We willingly push any and every button because we hope that it provides a squirt of dopamine for pleasure.’ And so, you will likely find yourself clicking the tantalising Useless Web button and BOOM a whole digital world of uselessness explodes (or rather, is opened tab by tab in your browser bar). Each time you press the button you’ll be taken to a different domain which hosts creative, silly and seemingly pointless content. " nudge
" One of the main people that spurred my interest in useless websites was an artist called @Rafaël_Rozendaal who has been an internet artist forever, well longer than I’ve known about internet art. He is one of the original internet artists. "
Originally published on: theweirderweb.xyz [DEAD] "
A conversation with @Tim_Holman ( w/ @Lara_Chapman ) 2012 2019
via "Partir en vadrouille" + Pushing Useless Buttons [ Bulle ]
Sites au design brutalist.... interview
Indie web small web review_visite
Un blog atypique, perso, débutant, recherchant, simple, beau, bordélique mais pas que, où restent les ébauches, les pistes, les outils sur la table
à la recherche de https://liens.vincent-bonnefille.fr/?XQJHFg
via: https://serveur410.com/ton-coin-de-web-tattends/ #<3