En expo https://www.andfestival.org.uk/networked-condition/ ( #2014 - now )
Conférence sur les données, leurs usages, l'énergie consommée :
https://liens.vincent-bonnefille.fr/?AKAQ4g
Un prototype à DEFOOOO... : CO2GLE .
http://www.janavirgin.com/CO2/
Une question relancé durant le COVID en VOIP...
https://we-make-money-not-art.com/covid-19-might-not-follow-us-online-but-our-carbon-footprint-does/
Très bonne interview de #@Low_Tech_Magazine
( et #Joana_Moll )
https://invidious.fdn.fr/watch?v=vArSb78x0jk
OLD/REFS
Internet n'est pas neutre en bilan carbone !
Cette web artiste nous le rappelle et,
avec son bureau d'étude-chercheurs (cf Critical... plus après),
nous permet même de l'intégrer sur nos sites....
. Vous ne cliquerez plus ici par hasard...
. Ou comment faire remonter les coûts indirectes
. . Me fait penser à la jauge d'énergie (solaire) du site Low Tech Magazine
. . https://liens.vincent-bonnefille.fr/?E_WLTA
. . et cette vidéo sur le coût carbone ...
. . https://liens.vincent-bonnefille.fr/?-EBKEw
. Une question de /HardWare/ qui n'a de cesse d'être pertinente...
. une question générale qui porte sur nos boulimies informationnelles #24sur7
. . https://liens.vincent-bonnefille.fr/?FH23gg ( émission sur notre #attention )
. . https://liens.vincent-bonnefille.fr/?-1IgRg ( podcast Louis_Média )
/// Un petit script sympa pour calculer le CO2 émis à chaque clic
-
via CRITICAL INTERFACE POLITICS
https://crit.hangar.org/ #critique
... je découvre leurs #map_carte du #www
-
Une petite #interview_conférence de #@WeMakeArtNotMoney :
https://we-make-money-not-art.com/critical-investigation-into-the-politics-of-interfaces-an-interview-with-joana-moll/
 vidéo title tld.gif)
@Aleksandra_Domanović , From yu to me ( #2014 )
Commissioned by #@Rhizome , #@Abandon_Normal_Devices , and #@Fridericianum .
" Aleksandra Domanović used to own an international sampler of domain names: aleksandradomanovic.sk, aleksandradomanovic.rs, aleksandradomanovic.si, aleksandradomanovic.eu. It's usually enough for an artist or other public figure to claim their name on .com, and Domanović did, but by staking out real estate in the top-level domains governed by Slovakia, Serbia, Slovenia, and the European Union she reminded herself, and anyone else paying attention, about the friction of states and networks, names, and domains. Domanović was born in Yugoslavia, and when it was gone her citizenship drifted. If for some of its users the World Wide Web appears boundlessly ephemeral in comparison to the permanence of statehood, in Domanović's experience of recent history, states and domains alike are tools of control that can be surprisingly fragile and flexible.
The domains in Domanović's personal collection, which have since expired, sketched an outline of those ideas. Her new video adds details. From yu to me is about the history of the internet in Yugoslavia, or what used to be Yugoslavia. "
# Article à ce sujet ( anglais )
http://sebastianschmieg.com/how-to-appear-offline-forever/
We are part of the privileged third of the world’s population that has access to the Internet. Teams at Facebook and Google are working on projects to build swarms of solar powered drones and balloons that would allow more people to connect to the Internet and take part in digital life. How to Appear Offline Forever explores visibility, labour and colonialism in a networked world, taking the endeavours of Internet drones as the starting point for intertwined stories happening in different places. [...]
Commissioned by #@Abandon_Normal_Devices
https://www.andfestival.org.uk <3