via : https://www.centreforthestudyof.net/?p=6029 #@CSNI
{ today #2021 }
" The project Critical Tracing and The Post-Photographic Image explores how images move across infrastructures. In this context, we propose a two-days workshop to approach the digital image as a transactional device that we can use to trace the infrastructure through which it circulates. "
" In 20th century photographic history and criticism the notion of trace has consistently been associated with the medium's mechanical reproducibility and its indexical relationship to reality. Yet, with the ubiquitous adoption of digital technology, photography has moved away from the singularity of the analogue medium towards a networked technology with a computational structure. Hence the question arises: How can the concept of trace and the act of tracing be reframed to account for images' algorithmic structure and their circulatory patterns amongst different contexts of reception? "
" What are the aesthetic and political implications of foregrounding such notions when rethinking parameters of production, dissemination and interpretation of networked images ? "
" Once images ceased to be perceived primarily as visual surfaces but as a vectors of relations, the notion of infrastructure gains importance, as an essential concept for framing image practices as inseparable from their materiality. Our objective is to study how infrastructure permeates our concepts and ideas about the post-photographic image. We believe that infrastructure cannot be taken for granted and tracing requires different strategies according to the materialities through which images circulate under different geopolitical and socio-technical conditions. "
Via Telegram
@Nestor_Siré in the audiance-intervenant #<3
@Andrew_Dewdney
@Anaïs_Bloch ( #réparation_maintenance #périphériques_devices #hack )
https://thephotographersgallery.org.uk/imaginingnetworks #<3
.dead => https://web.archive.org/web/20210626174703/https://thephotographersgallery.org.uk/imaginingnetworks
interview
https://invidious.fdn.fr/watch?v=PGtQT_PGeGQ
part of ( #2022 )
https://aksioma.org/new.extractivism
œuvres / pièces
...
https://thephotographersgallery.org.uk/joana-moll
https://www.janavirgin.com ( site de l'artiste )
_DEFOOOOOOOOOOOOOOOOOOOOOREST ( #2016 )
https://www.janavirgin.com/CO2/DEFOOOOOOOOOOOOOOOOOOOOOREST.html
.
_THE DATING BROKERS ( #2018 )
https://datadating.tacticaltech.org
https://datadating.tacticaltech.org/viz
.
_ALGORITHMS ALLOWED ( #2017 )
http://algorithmsallowed.schloss-post.com
.
_THE HIDDEN LIFE OF AN AMAZON USER ( #2019 )
https://www.janavirgin.com/AMZ/
. . .
Le #@CSNI est un site #ressources / #processus.créa.art
FULL .pdf
via CSNI – Centre for the Study of the Networked Image
https://www.centreforthestudyof.net/ [bulle]
...
via https://networkedart.blog/blog/2020/10/12/geoff-cox-the-museum-of-ordure-2001-onwards/
from https://liens.vincent-bonnefille.fr/?tIgT6g
Some cool titles :
NFTS and Photography
Rhizome ArtBase Relaunch
Alternative networks in Cuba
Book launch: Aesthetic Programming
Call for funded PhD: Networked Curating
The Environmental Impacts of Digital Cultural Production
Between Camera & Network: Art and Documentation in Post-Photographic Culture
via https://networkedart.blog/blog/2020/10/12/geoff-cox-the-museum-of-ordure-2001-onwards/
from https://liens.vincent-bonnefille.fr/?tIgT6g