I came to this^ conclusion sometime during quarantine when I realized that certain websites give me a sense of shelter and rest more than others.
These spaces that particularly stood out to me all had some quality of
slowness,
quiet,
and/or gathering.
More serious liste with filter, conferences...
http://aaaan.net
" During the mandate, Lara will explore the intersections between ironic and informative usage of Internet. She will conduct a series of interviews and create a digital archive of ‘Weird Web’ examples. "
" I first came across the term ‘Weird Web’ on It's Nice That in an article written by coder and artist Neal Agarwal. He describes an early form of the internet before its monetisation and intense focus on clicks and social media. He describes this former internet as ‘a place where online creators expressed themselves through interactive content, games & experiments. It was a place that brought delight & joy.’ I believe that if you look hard enough, you might just find that the weird web lives on today. "
...
" According to psychologist and professor Larry Rosen , ‘We willingly push any and every button because we hope that it provides a squirt of dopamine for pleasure.’ And so, you will likely find yourself clicking the tantalising Useless Web button and BOOM a whole digital world of uselessness explodes (or rather, is opened tab by tab in your browser bar). Each time you press the button you’ll be taken to a different domain which hosts creative, silly and seemingly pointless content. " #nudge
" One of the main people that spurred my interest in useless websites was an artist called #@Rafaël_Rozendaal who has been an internet artist forever, well longer than I’ve known about internet art. He is one of the original internet artists. "
Originally published on: theweirderweb.xyz [DEAD] "
A conversation with #@Tim_Holman ( w/ #@Lara_Chapman ) #2012 #2019
via "Partir en vadrouille" + Pushing Useless Buttons [ Bulle ]
RE ( low tech #annuaire_index )
Indie web small web review_visite
Un blog atypique, perso, débutant, recherchant, simple, beau, bordélique mais pas que, où restent les ébauches, les pistes, les outils sur la table
à la recherche de https://liens.vincent-bonnefille.fr/?XQJHFg
via: https://serveur410.com/ton-coin-de-web-tattends/ #<3
Des service #GAFAM_NATU (dont instagram et Twitter) ou #youtube... en anonyme et sans connexion
Retour sur lokinet (en anglais) et son LLARP (Low Latency Anonymous Routing Protocol)
https://docs.loki.network/Lokinet/LLARP/
( mise au point sur Zeronet+DHT )
.
Lokinet perçu comme le mixnet du futur (utilisant des tech. existantes, montantes...)
.
Permet l'accès aux site en .loki
http://5jk8tcgeiddkq6byq59jjmufe9ttmoojrcdqw14gew359qfziiwo.loki
( test #projet_perso )
List security tools
VPN TOR DNS alt.net
... with examples
A rant approximating the content of this document was delivered to an audience of new media artists and activists by James Wallbank, Coordinator of Redundant Technology Initiative, at The Next 5 Minutes conference in Amsterdam, March #1999 .
=================
' "Lowtech" means technology that is cheap or free.
Technology moves on so fast that right now we can recover low-end Pentiums and fast Macintoshes from the trash. Lowtech upgrades every year. But we don't have to pay for it.
Lowtech includes hardware and software. We advocate freeware and low cost software. We particularly advocate the use of low cost, open source operating systems.
[...]
Lowtech counters exclusivity. Lowtech is street level technology.
Text is great for communicating. Write down what you want to say. Make it clear and simple and non-exclusive.
Email is still the "killer app". Fast, low cost global communication for the ordinary citizen is genuinely something new.
HTML is good for lots more than web pages. Now you can author all sorts of graphical stuff with a plain text editor.
Use the web for plain text and images. It's simple and cheap and quick and it works.'
- Is a situated technology. She has a sense of context and considers herself to be part of an ecology of practices
- Is run for and by a community that cares enough for her in order to make her exist
- Builds on the materiality of software, hardware and the bodies gathered around it
- Opens herself to expose processes, tools, sources, habits, patterns
- Does not strive for seamlessness. Talk of transparency too often signals that something is being made invisible
- Avoids efficiency, ease-of-use, scalability and immediacy because they can be traps
- Knows that networking is actually an awkward, promiscuous and parasitic practice
- Is autonomous in the sense that she decides for her own dependencies
- Radically questions the conditions for serving and service; experiments with changing client-server relations where she can
- Treats network technology as part of a social reality
- Wants networks to be mutable and read-write accessible
- Does not confuse safety with security
- Takes the risk of exposing her insecurity
- Tries hard not to apologize when she is sometimes not available
.
@viaa https://homebrewserver.club
@viaa http://radical-openness.org/en
//Evgeny_Ponomarev, Jun 8, #2020
Web 3.0 vs DWeb
Study Participants & Demographics
The Current Web
3.1 Pain Points
3.2 Web Protocols
The DWeb
4.1 The Meaning of Decentralization
4.2 Values and Mission
4.3 Technical Challenges
4.4 DWeb Tech Usage in the Future
Adoption of the DWeb
5.1 Biggest Obstacles
5.2 The Missing Piece
5.3 The Role of the Blockchain
DWeb Projects Profile
6.1 Categories
6.2 Motivation
6.3 Status and Team
6.4 Technology
6.5 Business
"Feedless combines the best original ideas of popular social networks without the bad parts
- You have your own wall, but you can only post with 140 characters, like original #Twitter
- If you want to check on others you have to go to their profile, like original #Facebook or Orkut
- You can send secret messages, like original #Snapchat , but there are no stories
- There is no feed to scroll forever, no cassino slot machine addiction
- There are no likes nor any mindless interactions, if you like something, you tell the person, like a human"
Moi :: https://feedless.social/profile/@ebM+yMNwA1VI6smUS+73B/n/IYePXI4/Bf2rYYRkkqY=.ed25519
On trouvera aussi un article au sujet de Minus, une alternative "décroissante" à Twitter
https://usbeketrica.com/fr/article/a-quoi-ressemblerait-un-reseau-social-decroissant
#ActivityPub
>> https://gitlab.com/lidia_p/fediposter/
>> http://redecentralize.github.io/alternative-internet/ #proto #altweb #annuaire_index #VPN #dns
"Le développement de la publicité sur Internet n’a pas été exempt de tout heurt, le tout premier mail publicitaire (spam) en #1978 a, par exemple, connu une vive réaction d’indignation. [7] De la même façon, les bloqueurs de publicité, petits outils qui bloquent techniquement les différents affichages publicitaires sont apparus et ont été rapidement adoptés au moment où la publicité a commencé à inonder de nombreux sites pour maximiser les « impressions publicitaires ». L’invasion publicitaire est devenue trop forte et les internautes avertis se protègent ainsi des multiples « popups », affichages conduisant vers des sites malveillants, renvois et rechargements intempestifs, etc."
<<3 https://bloquelapub.net/
*5 Attention, tout était loin d’être parfait sur bien d’autres sujets.
*6 #@John_Perry_Barlow , « A declaration of the independance of Cyberspace », 8 fév. #1996 à Davos, https://www.eff.org/cyberspace-independence
+> https://liens.vincent-bonnefille.fr/?KtNoxg
*7 Brad Templeton, « Reaction to the DEC Spam of #1978 », https://www.templetons.com/brad/spamreact.html
Voire aussi : https://liens.vincent-bonnefille.fr/?YY-EiA
Par #@Kenneth_Goldsmith #2014 ( ou l'œuvre de Sisyphe )
"The day after Swartz was criminally charged by the US Attorney General’s office a free culture gesture appeared on The Pirate Bay by a user named Greg Maxwell, which was a torrent of “18,592 scientific publications totaling 33GiB, all from Philosophical Transactions of the Royal Society”[iii] which were procured legally from JSTOR. Maxwell released a lengthy statement echoing Swartz’s sentiments, decrying the paid cloistering of knowledge that should, by all rights, be made available to all. In this parallel gesture, Maxwell enacted that which Swartz was unable to, symbolically completing Swartz’s aborted liberation of knowledge. To this day, #@Maxwell 's torrent is still active, available for all who might want to possess it"
–> - http://web.archive.org/web/20151009195753/https://mypirateproxy.com/thepiratebay.se/torrent/6554331
@Kenneth_Goldsmith : Duchamp Is My Lawyer #2021
- http://cup.columbia.edu/book/duchamp-is-my-lawyer/9780231186957
- https://bib.vincent-bonnefille.fr/book/272
Documentaire
Sources
- http://cryptome.org/aaron-swartz-series.htm ( site de #référence )
- https://swartzfiles.com/ ( au sujet de l'affaire devant la justice )
--> #.dead ==>
https://web.archive.org/web/20190201200508/https://swartzfiles.com/
Articles
https://scinfolex.com/2013/01/12/aaron-swartz-qui-avait-defie-jstor-en-liberant-des-articles-du-domaine-public-sest-suicide/ ( site #veille_blog_actu #français )
- https://www.vice.com/en/article/xy4xgj/kenneth-goldsmith-printed-out-a-33-gb-torrent-in-support-of-aaron-swartz
- http://archiverlepresent.org/fiche-de-la-collection/printing-out-internet ( #français )
The Pirate Bay
/ | _____/ /__________ ____ ____ _____/ /_
/ /| | / ___/ __/ ___/ __ \/ __ \/ __ \/ ___/ __/
/ ___ |(__ ) /_/ / / /_/ / /_/ / /_/ / / / /_
/_/ |_/____/\__/_/ \____/ .___/\____/_/ \__/
/_/
__HyperWeb 5D - Metavers Numérique centré sur l'Humain__
Mesh decentralized Unified P2P Fat Protocol Layer. Connectors between Libre Money, ScuttleButt, IPFS, ... Salamalec between Nodes and Human.
::
c'est quoi?
Le rêve d'un Internet sans #GAFAM_NATU , sans Datacenter. Hébergé et opéré par nous tous... Un #réseau asynchrone, anoptique, qui fonctionne par ami d'ami ( #P2P #Anoptikon ).
It is autonomous, doesn't need permanent connectivity and is Human centered ONLY. It behaves like The " #BLOB creature "
///
https://git.p2p.legal/axiom-team/astroport/src/branch/master/ANA/01.home/default.fr.md >>>
Né dans les 70s de l'idée d'interconnecter les ordinateurs de la planète, colonisé par les marchands, les banques et les publicitaires, le réseau des réseaux ne ressemble aucunement au système d'information planétaire (IP) imaginé à l'époque! L'architecture client / serveur préférablement choisie aura donné naissance aux autoroutes et aux fermes de données (datacenters) actuelles. Consommatrices de ressources,
ces Forteresses exfiltrent nos données et petit à petit nous entraînent vers leur " #Cloud " Privé Global. L'exploitation de nos données personnelles y est intensive pour notre bien-être et notre #sécurité, en échange de la "gratuité" de leur services. Vous pensiez ne pas avoir le choix? Sachez que l'alternative Gratuite et Libre existe !!
===
3615 #GAFAM_NATU
>>>
https://git.p2p.legal/axiom-team/astroport/src/branch/master/ANA/02.metaverse/default.fr.md
>>>
!!!! "P2P" / Web 4D / #Anoptikon Blockchains Personnelles + IPFS + SSB
"LES RÉSEAUX CONSTITUENT LA STRUCTURE DE NOTRE SOCIÉTÉ ET LEUR NATURE DISSIMULÉE EN FONT DES SUJETS DE RECHERCHE RICHES ET FASCINANTS. NOUS NOUS CONSIDÉRONS COMME DES PORTRAITISTES DE CES OBJETS CONTEMPORAINS, RÉVÉLANT LEURS CARACTÉRISTIQUES POUR TENTER DE MIEUX LES COMPRENDRE".
Lire l'interview de Raphaël Bastide et Louise Drulhe par Daniela Baldelli de la galerie #@Rinomina .
https://legacy.imal.org/fr/expo/waysofconnecting/renamingtheweb/interview
@Evgeny Morozov, #2015
( par Culture Mobile )
Centralisé par un groupe d'acteurs
Internet est pensé comme l'intermédiaire de tout
Tous les maux lui incombent
Le #solutionnisme induit des solutions techniques par elle-même
Une possible correction des problèmes par et pour la technique #fork
@Aram_Bartholl #2010
blog :
https://arambartholl.com/blog/dead-drops-preview/
map :
https://deaddrops.com/db/
"I am pleased to preview ‘Dead Drops’ a new project which I started off as part of my ongoing EYEBEAM residency in NYC the last couple weeks. ‘Dead Drops’ is an anonymous, offline, peer to peer file-sharing network in public space. I am ‘injecting’ USB flash drives into walls, buildings and curbs accessable to anybody in public space. You are invited to go to these places (so far 5 in NYC) to drop or find files on a dead drop. Plug your laptop to a wall, house or pole to share your favorite files and data. Each dead drop contains a readme.txt file explaining the project. ‘Dead Drops’ is still in progress, to be continued here and in more cities. Full documentation, movie, map and ‘How to make your own dead drop’ manual coming soon! Stay tuned."
Parties
1 Any Browser ( #www #navigateur_browser )
2 Tor Browser ( #dn_tor_onion #.onion )
3 Beaker Browser ( #dn_dat )
1 = http://olia.lialina.work/self-portrait
2 = http://bn2lik7torbun6z2.onion
3 = hyper://a81117c7c60d9df7602ad62b265c6f7f034b40b17abbbcd7ab55dbb701fd2e7e/
@Olia_Lialina, #2018
UPDATE #2023
- exposition, supports audio, visite en 3D... #@Espace_Mediagantner
https://www.espacemultimediagantner.cg90.net/fr/exposition/olia-lialina-something-for-everyone/
https://vimeo.com/466173173
une présence sur d'autres réseaux, par d'autres protocoles
H3K (Basel) lui attribue un prix ...
https://www.hek.ch/fileadmin/hek_files/Presse/Press_release_net_based.pdf
"Winner of the net based award #2018 : #@Olia_Lialina, "Self-Portrait"
With Self-Portrait, Olia Lialina continues her series of “networked” portraits, which explores the relationship between the work and its technological context, highlighting the ever-changing network conditions and our position within this one. After having played with variations in speed of transmission on the web (Summer, #2013 ) and having questioned the consequences of an abandonment of net neutrality (Best Effort Network, #2015 ), Olia Lialina invites us with her latest work to think of the web in its various dimensions, beyond its best-known public face. To contemplate this self-portrait, not less than three web browsers are required: a classic browser ( #firefox , Chrome, Safari, etc.), an anonymised and secure browser (Tor) and a “peer-to-peer” browser (Beaker).
By juxtaposing these three windows open onto different parts of the network, we can recompose the fragmented face of the artist whose hair is blowing in the wind with ever so slight discrep-ancies in the movement"