Suzanne Treister
2009 - 2011
TAROT
https://suzannetreister.net/HEXEN2/HEXEN_2.html
"HEXEN 2.0 looks into histories of scientific research behind government programmes of mass control, investigating parallel histories of countercultural and grass roots movements. HEXEN 2.0 charts, within a framework of post-WWII U.S. governmental and military imperatives, the coming together of scientific and social sciences through the development of cybernetics, the history of the internet, the rise of Web 2.0 and increased intelligence gathering, and implications for the future of new systems of societal manipulation towards a control society."
https://thepiratecinema.com .dead
->> https://web.archive.org/web/20160220190259/http://thepiratecinema.com/
"A CINEMATIC COLLAGE GENERATED BY PEER-TO-PEER NETWORK ACTIVITY
- THE PIRATE CINEMA REVEALS PEER-TO-PEER INFORMATION FLOWS.
- THE PIRATE CINEMA IS A COMPOSITION GENERATED BY THE ACTIVITY ON FILE SHARING NETWORKS.
- THE PIRATE CINEMA IMMERSES THE VIEWER IN NETWORK FLOWS."
online :
The Pirate Book
http://rybn.org/thegreatoffshore/index.php?ln=fr&r=2.ALGOFFSHORES
"La serie ALGOFFSHORE est une collection d'algorithmes documentant différentes stratégies d'optimisation fiscale. La série est conçue sur une base documentaire d'étude de différents modèles classiques, les éléments récurrents qui structurent les différentes stratégies, au delà de leurs singularités respectives. La série cherche à montrer le génie ignoré qui se dissimule derrière les montages d'évasion fiscale."
···
http://rybn.org/thegreatoffshore/index.php
"The Great Offshore (Le Grand Large) est une œuvre documentaire qui nous invite à une immersion dans les profondeurs de la finance de l'ombre. L’œuvre rassemble des documents, des récits, des images et des objets, glanés au cours de voyages dans différents paradis fiscaux: à la City de Londres, en Suisse, au Liechtenstein, dans les îles Anglo-Normandes, à Dublin, au Delaware, aux Bahamas, aux Îles Caïmans, à Chypre, à Malte, aux Pays-Bas, au Luxembourg."
···
Article interview : https://www.zerodeux.fr/interviews/rybn/
et un autre : https://www.digitalmcd.com/rybn/
"Al-Badri and Nelles* scanned the head of Nefertiti clandestinely in the Neues Museum Berlin without permission of the Museum and they hereby announce the release of the 3D data of Nefertitis head under a Creative Commons Licence.
The artists 3D-Print exhibited in Cairo is the most precise scan ever made public of the original head of Nefertiti. With regard to the notion of belonging and possession of objects of other cultures, the artists intention is to make cultural objects publicly accessible. The Neues Museum in Berlin until today does not allow any access to the head of Nefertiti nor to the data from their scan."
* Nora Al-Badri et Jan Nikolai Nelles 2016
++
https://hyperallergic.com/274635/artists-covertly-scan-bust-of-nefertiti-and-release-the-data-for-free-online/
A project by @Joana_Moll
" Typically, a tracker is a piece of code placed within a particular website that allows to monitor and collect data on user behavior. For instance: a tracker can automatically know where a user is based, which computer they’re using, which sites have been visited before accessing a particular site, and which webpages will be accessed in the future – among other more detailed and personal information. The US is currently enforcing embargoes and sanctions against Cuba, Iran, North Korea, Sudan, Syria, and the Ukrainian region of Crimea. "
" This project has been developed as part of the web residency program — Blowing the Whistle, Questioning Evidence - curated by Tatiana Bazichelli for Solitude & ZKM. "
Web résidence du ZKM
J'aime beaucoup ce projet,
la mise en valeur des données, le scraping avec tor
- Crée de la confusion à l'endroit de la propriété des données et de l'information
à l'endroit des États représenté en ligne www - Ils ont en communs d'avoir leur code "occupé" par Google, en "sortant"
- Cela pose des questions de gouvernance .p
quotes ( homepage project )
" a tracker can automatically know where a user is based, which computer they’re using, which sites have been visited before accessing a particular site "
" American IT giant, have been found within several websites owned by countries under US embargo "
" US is currently enforcing embargoes and sanctions against Cuba, Iran, North Korea, Sudan, Syria, and the Ukrainian region of Crimea "
" It is important to remember that these websites are stored inside hard disks placed in physical territories "
" "ALGORITHMS ALLOWED" unfolds as an ongoing investigation that reveals the many US tracking and online services embedded in websites representing US embargoed countries, thereby exposing the ambiguous relationship between code, public policy, geopolitics, economics, and power in the age of algorithmic governance. "
à la //Kunst Halle St. Gallen 2014
"There is a parallel world beneath the surface of the Internet: the Darknet is an encrypted, invisible network that cannot be accessed by conventional browsers or search engines but is nevertheless used by millions. This digital territory is the impulse for cooperation between the artist collective !Mediengruppe Bitnik, the project :digital brainstorming from Migros-Kulturprozent and Kunst Halle Sankt Gallen."
« The Darknet –
From Memes to Onionland.
An Exploration »
In cooperation with !Mediengruppe Bitnik and :digital brainstorming
Article MoneyLab :
https://networkcultures.org/moneylab/2019/11/11/cryptorave-an-interview-with-omsk-social-club-mediengruppe-bitnik-by-maisa-imamovic/ 2019
"Filter mainstream, which eventually applies to monetized human experiences, calls for the imagination to design new narratives for being together. Some commodified experiences wear out faster than others, and some expand to become their different (perhaps better?) version. Clubbing too, is a part of experience economy, where feelings of boredom started to emerge (when exactly? has not been specified in the history yet). At the same time, clubbing currently seems to be the richest context for experimentation. Due to my personal perplexity, and inability to guesstimate the direction in which these experiments are going, I digitally approached the people behind the CryptoRave project, as an attempt to demystify this foggy cloud."
"Offshore Investigation Vehicle by the //Demystification_Committee was developed within the framework of the Vilém Flusser Residency for Artistic Research 2017 . The ongoing art and research project takes the shape of an international corporate structure spanning three oceans, set up to model and explore offshore finance. For the shareholders it operates at once as a guide and a shield: not only does it provide access to a hidden world of knowledge and opportunities; it also guarantees the secrecy of the actions undertaken there."
Index : https://nnn.freeport.global
In 2008 , the science-fiction movie Sleep Dealer by Alex Rivera envisioned a future which couldn’t be more timely: the border between Mexico und the US has been closed. Therefore, immigrant workers in the US have been replaced by robots. However, these robots are remotely controlled by people in Mexico who have their bodies plugged directly into the network.
Humans As Software Extensions
- Being Universally Addressable and Programmable
- Managing My Extensions
- The Total Freedom of Survival Creativity
- The Future of Work is a Lot of Work
- Seizing the Means of Magic
- Covert Interventions
- An Aesthetic of Detachment
Before the Internet, it would be really difficult to find someone, sit them down for ten minutes and get them to work for you, and then fire them after those ten minutes. But with technology, you can actually find them, pay them the tiny amount of money, and then get rid of them when you don’t need them anymore.
@via http://sebastianschmieg.com/how-to-appear-offline-forever/
online_création :
http://howtoappearofflineforever.online/
.dead (not) ->
https://web.archive.org/web/20210802055312/http://howtoappearofflineforever.online/
J'aime beaucoup ce que nous raconte les artistes dans cette vidéo
Elle révelle surtout la géométrie variable avec laquelle les "Darknets" sont traité... ou plutôt le principe de l' obfu_secret fondamental aux banques et super-marchés connectés.
De tous ces espaces fermés, heureusement secrtes-privés...
ces réseaux réservés qui appartienet au DeepWeb parcequ'effectivement on ne peut les indexer, en tirer des données (au moins de la part de la concurence et certains bot_scraper ( on omet un peu vite les traitements de données internes aux entreprises qui voudraient faire fructifier les données dormantes ou darkdatas... ). Mais oui, en effet le bot de Gogle ne va pas où il veut et c'est bien comme ça.
Bon bin des fois l'errreurrr est humaine et les portes s'ouvrent...
Que se passe t il quand on laisse les clefs de son compte banquaire à Internet ?
Quand on fait de cet espace symboliquement le plus privé et sécurisé, un espace de intrusion_vulnérabilité volontaire ? Un espace_public dans le cyber_espace ? C'est ce que nous racontent ces deux artistes.
@Ferenc_Gróf and @Jean-Baptiste_Naudy
installation pour les RIAM 06 à Marseille en 2009
http://www.riam.info/06/indexb379.html
alt.vidéo : https://www.youtube.com/watch?v=qF1qPgM-WUo
( leur site est .dead http://www.societerealiste.net )
"Can you hear me?"
Hello NSA , hello GCHQ. Berlin speaking here.
¥ Antennas on the Academy of Arts in Berlin
Messages can be sent to the intelligence agencies on the frequencies that are intercepted by the NSA and GCHQ. An independent mesh network in Berlin's Government District recaptured the virtual communication space. A collective conversation space in which all have equal rights has been taking the space of secret wiretapping.
http://www.statemachines.eu/projects/708/
http://www.statemachines.eu/projects/708/ =
AN ARCHEOLOGY OF SILENCE IN THE DIGITAL AGE
“I have not tried to write the history of that language (A/N the language of psychiatry) but, rather, the archeology of that silence.”
M. Foucault, Madness and Civilization, 1961
Artists @Christoph_Wachter and @Mathias_Jud have been paying special attention to the different forms of silence that prevail on the Internet. With their work, they aim to undermine power structures while also developing tools and systems of communication for those in need. They uncover network mechanisms, expose cases of censorship and surveillance, and embrace infrastructural literacy as a response to the dominance of today’s network ( 2017 )
Via https://www.wachter-jud.net/Can-you-hear-me.html?r9t_locale=en
Au programme de @State_Machines ( thématique_revue ) ...
0n retrouve : @The_Critical_Engineering_Working_Group et @Aksioma <3
par Ben_Grosser 2015
computational surveillance system
Tracing You presents a website's best attempt to see the world from its visitors' viewpoints. By cross referencing visitor IP addresses with available online data sources, the system traces each visitor back through the network to its possible origin. The end of that trace is the closest available image that potentially shows the visitor's physical environment. Sometimes what this image shows is eerily accurate; other times it is wildly dislocated. What can a computational system know of our environment based on the traces we leave behind? Why might it want to see where we are?
PING MAP (#2011 ...)
A DYNAMIC MAPPING OF THE GLOBAL NETWORK BASED ON ECHO TIME
PING MAP is a world map that uses network access time as its unit of measure. Whereas internet giants are gradually dominating states’ powers, information superhighways and default web portals are in the process of conditioning a new hierarchy in information flows and mapping out a landscape that is specific to the Internet. PING MAP invites us to reconsider in a poetic and technical manner the very notion of world geography in the era of the Internet, //high_frequency_trading, submarine cables and other forms of automated routing.
Set against this //digital backdrop, the main measure of distance simply becomes the transmission time between servers and terminals. The new territorial and spatial structure formed by these digital transits reconfigures the positions of the countries of the world by projecting the better connected territories to the centre of an ever denser map and by forcing the slowest, most fragile and instable territories to the edges of the map, thereby forming a connectivity ghetto of sorts.
- Echo Protocol - Wikipedia
https://en.wikipedia.org/wiki/Echo_Protocol - Round-trip delay time — Wikipédia
https://fr.wikipedia.org/wiki/Round-trip_delay_time
Newstweek is a device for manipulating news read by other people on wireless hotspots. Built into a small and innocuous wall plug, the Newstweek device appears part of the local infrastructure, allowing writers to remotely edit news read on wireless devices without the awareness of their users. 2011
Newstweek was developed by @Julian_Oliver and @Danja_Vasiliev ( membres du @The_Critical_Engineering_Working_Group )
// Newstweek project page: http://newstweek.com
http://web.archive.org/web/20170804214357/http://newstweek.com/
à propos de Vending Private Network VPN
In this talk, @Danja_Vasiliev gives an overview of "dark internet topologies" in the context of the commissioned piece //Vending Private Network// he did together with @Julian_Oliver ( 2018 )
![vpn]https://criticalengineering.org/projects/vending-private-network/images/title3.jpg)
Conf
Cite cette carte des câbles sous-marins :
https://www.submarinecablemap.com
Are.na ( adhoc_mesh_ntwrk )
https://www.are.na/vincent-bonnefille/adhoc_mesh_ntwrk
Membre du https://criticalengineering.org
@The_Critical_Engineering_Working_Group
2022 EDIT
- Submarine Cable Map 2015
https://submarine-cable-map-2015.telegeography.com/ - Traceroute mapper ( tool git )
https://stefansundin.github.io/traceroute-mapper/?trace=traceroute%20to%2083.118.202.51%20(83.118.202.51)%2C%2030%20hops%20max%2C%2060%20byte%20packets%0A%201%20%20livebox.home%20(192.168.1.1)%20%204.040%20ms%0A%202%20%2080.10.253.25%20(80.10.253.25)%20%209.688%20ms%0A%203%20%20*%0A%204%20%20*%0A%205%20%20ae51-0.nridf101.rbci.orange.net%20(193.252.98.94)%20%2012.098%20ms%0A%206%20%20*%0A%207%20%20*%0A%208%20%20*%0A%209%20%20*%0A10%20%20*%0A11%20%20*%0A12%20%20*%0A13%20%20*%0A14%20%20*%0A15%20%20*%0A16%20%20*%0A17%20%20*%0A18%20%20*%0A19%20%20*%0A20%20%2051.202.118.83.in-addr.arpa.celeste.fr%20(83.118.202.51)%20%2010.492%20ms%0A - History souces