Ce sont aussi des réseaux sociaux.
Des manifestations d’opposant Hong Kongais ou de gilets jaunes, des mariages, des défilés de mode pour Animal_Crossing .
[...]
Par exemple, le premier métavers à s’être fait connaître du grand public est Second_Life .
[...]
En septembre 2007 à cause de la crise des subprimes qui affectent également les banques du jeu, d’une lassitude parce que l’univers devient trop complexe et redondant, et la montée de Facebook jugé plus simple, Seconde_Life devient de plus en plus déserté, jusqu’à ne plus attirer grand monde.
[...]
- Nintendo détient Animal_Crossing
- Epic_Games détient Fortnite
- Microsoft détient Minecraft
- Facebook détient Horizon "
= GAFAM_NATU
"Le jeu défini par le Générateur poïétique* se déroule à l’intérieur d’une matrice à deux dimensions comme les jeux de tabliers et son principe s'inspire de celui du jeu_de_la_vie et des cadavres exquis des surréalistes. Le Générateur poïétique s’écarte néanmoins de ces modèles sur plusieurs points. Ce n'est pas un algorithme de type Conway, mais bien des joueurs humains qui contrôlent en temps réel les éléments graphiques de la matrice globale"
[...]
"L'appellation « Générateur poïétique », qui dérive du concept d'autopoïèse** en sciences du vivant, et de celui de poïétique* en philosophie de l'art, traduit le processus d’auto-organisation à l’œuvre dans l'émergence continue de l'image globale. Depuis son origine, le Générateur poïétique a été conçu par son auteur comme un élément d'une recherche-action*** [...]"
* https://fr.wikipedia.org/wiki/Poïétique
** https://fr.wikipedia.org/wiki/Autopoïèse
*** https://fr.wikipedia.org/wiki/Recherche-action
->> Recherche-action
"La recherche-action (ou recherche-intervention, ou encore recherche-expérimentation) est une démarche et une méthodologie de recherche scientifique qui vise à mener en parallèle et de manière intriquée l'acquisition de connaissances scientifiques et des actions concrètes et transformatrices sur le terrain."
----
::::: en image gif 2000 https://commons.wikimedia.org/wiki/File:Générateur_Poïétique._Enregistrment_d'une_expérience_sur_le_web,_festival_X-00_(2000).gif?uselang=fr
:::::: pour participer en ligne
http://play.poietic-generator.net/session/haccvalgrqdwiguo/draw
/ | _____/ /__________ ____ ____ _____/ /_
/ /| | / ___/ __/ ___/ __ \/ __ \/ __ \/ ___/ __/
/ ___ |(__ ) /_/ / / /_/ / /_/ / /_/ / / / /_
/_/ |_/____/\__/_/ \____/ .___/\____/_/ \__/
/_/
__HyperWeb 5D - Metavers Numérique centré sur l'Humain__
Mesh decentralized Unified P2P Fat Protocol Layer. Connectors between Libre Money, ScuttleButt, IPFS, ... Salamalec between Nodes and Human.
::
c'est quoi?
Le rêve d'un Internet sans GAFAM_NATU , sans Datacenter. Hébergé et opéré par nous tous... Un réseau asynchrone, anoptique, qui fonctionne par ami d'ami ( P2P Anoptikon ).
It is autonomous, doesn't need permanent connectivity and is Human centered ONLY. It behaves like The " BLOB creature "
///
https://git.p2p.legal/axiom-team/astroport/src/branch/master/ANA/01.home/default.fr.md >>>
Né dans les 70s de l'idée d'interconnecter les ordinateurs de la planète, colonisé par les marchands, les banques et les publicitaires, le réseau des réseaux ne ressemble aucunement au système d'information planétaire (IP) imaginé à l'époque! L'architecture client / serveur préférablement choisie aura donné naissance aux autoroutes et aux fermes de données (datacenters) actuelles. Consommatrices de ressources,
ces Forteresses exfiltrent nos données et petit à petit nous entraînent vers leur " Cloud " Privé Global. L'exploitation de nos données personnelles y est intensive pour notre bien-être et notre sécurité, en échange de la "gratuité" de leur services. Vous pensiez ne pas avoir le choix? Sachez que l'alternative Gratuite et Libre existe !!
===
3615 GAFAM_NATU
>>>
https://git.p2p.legal/axiom-team/astroport/src/branch/master/ANA/02.metaverse/default.fr.md
>>>
!!!! "P2P" / Web 4D / Anoptikon Blockchains Personnelles + IPFS + SSB
Parties
1 Any Browser ( www navigateur_browser )
2 Tor Browser ( dn_tor_onion .onion )
3 Beaker Browser ( dn_dat )
1 = http://olia.lialina.work/self-portrait
2 = http://bn2lik7torbun6z2.onion
3 = hyper://a81117c7c60d9df7602ad62b265c6f7f034b40b17abbbcd7ab55dbb701fd2e7e/
@Olia_Lialina, 2018
UPDATE 2023
- exposition, supports audio, visite en 3D... @Espace_Mediagantner
https://www.espacemultimediagantner.cg90.net/fr/exposition/olia-lialina-something-for-everyone/
https://vimeo.com/466173173
une présence sur d'autres réseaux, par d'autres protocoles
H3K (Basel) lui attribue un prix ...
https://www.hek.ch/fileadmin/hek_files/Presse/Press_release_net_based.pdf
"Winner of the net based award 2018 : @Olia_Lialina, "Self-Portrait"
With Self-Portrait, Olia Lialina continues her series of “networked” portraits, which explores the relationship between the work and its technological context, highlighting the ever-changing network conditions and our position within this one. After having played with variations in speed of transmission on the web (Summer, 2013 ) and having questioned the consequences of an abandonment of net neutrality (Best Effort Network, 2015 ), Olia Lialina invites us with her latest work to think of the web in its various dimensions, beyond its best-known public face. To contemplate this self-portrait, not lessthan three web browsers are required: a classic browser ( firefox , Chrome, Safari, etc.), an anonymised and secure browser (Tor) and a “peer-to-peer” browser (Beaker).
By juxtaposing these three windows open onto different parts of the network, we can recompose the fragmented face of the artist whose hair is blowing in the wind with ever so slight discrep-ancies in the movement"
Original website http://www.no-home-like-place.com [DEAD]
--> Git https://nonlinearnarrative.github.io/no-home-like-place/
Airbnb is a global hotel filled with the same recurring items. Bed, chair, potted plant, all catered to our cosmopolitan sensibilities. We end up in a place that's completely interchangeable; a room is a room is a room.
An algorithm finds these recurring items and replaces them with the same items from other listings. By clicking them, you can jump between rooms and explore the global hotel. There are many homelike places.
Open-source
You can find the source code for the various tools we created and used to make this website on Github.
Workshop
Outcome of a week-long web scraping workshop led by Jonathan Puckey at Non-Linear Narrative, a masters programme at the Royal Academy of Art The Hague. "
GIT : https://github.com/nonlinearnarrative/no-home-like-place
GIT : https://github.com/nonlinearnarrative/scrape-airbnb ( scrape-airbnb )
Cours : Master @Non_Linear_Narrative :
https://www.kabk.nl/en/programmes/master/non-linear-narrative
( @Royal_academy_of_art_the_hague )
" Led by @Jonathan_Puckey " :
https://puckey.studio UX
( où il relate des projets aussi fun que pointer-pointer [Bulle] )
Je l'ai aussi retrouvé ici https://work.bnjmnearl.eu/projects/no-home-like-place/
( un site d'artiste web.créatif ... avec plein de projets fun )
Étrange de redécouvrir cet appartement infini en cette ère du covid
A project by @Joana_Moll
" Typically, a tracker is a piece of code placed within a particular website that allows to monitor and collect data on user behavior. For instance: a tracker can automatically know where a user is based, which computer they’re using, which sites have been visited before accessing a particular site, and which webpages will be accessed in the future – among other more detailed and personal information. The US is currently enforcing embargoes and sanctions against Cuba, Iran, North Korea, Sudan, Syria, and the Ukrainian region of Crimea. "
" This project has been developed as part of the web residency program — Blowing the Whistle, Questioning Evidence - curated by Tatiana Bazichelli for Solitude & ZKM. "
Web résidence du ZKM
J'aime beaucoup ce projet,
la mise en valeur des données, le scraping avec tor
- Crée de la confusion à l'endroit de la propriété des données et de l'information
à l'endroit des États représenté en ligne www - Ils ont en communs d'avoir leur code "occupé" par Google, en "sortant"
- Cela pose des questions de gouvernance .p
quotes ( homepage project )
" a tracker can automatically know where a user is based, which computer they’re using, which sites have been visited before accessing a particular site "
" American IT giant, have been found within several websites owned by countries under US embargo "
" US is currently enforcing embargoes and sanctions against Cuba, Iran, North Korea, Sudan, Syria, and the Ukrainian region of Crimea "
" It is important to remember that these websites are stored inside hard disks placed in physical territories "
" "ALGORITHMS ALLOWED" unfolds as an ongoing investigation that reveals the many US tracking and online services embedded in websites representing US embargoed countries, thereby exposing the ambiguous relationship between code, public policy, geopolitics, economics, and power in the age of algorithmic governance. "
"Offshore Investigation Vehicle by the //Demystification_Committee was developed within the framework of the Vilém Flusser Residency for Artistic Research 2017 . The ongoing art and research project takes the shape of an international corporate structure spanning three oceans, set up to model and explore offshore finance. For the shareholders it operates at once as a guide and a shield: not only does it provide access to a hidden world of knowledge and opportunities; it also guarantees the secrecy of the actions undertaken there."
Index : https://nnn.freeport.global
Infos / intro
: https://datadating.tacticaltech.org
Bases de données / Contextes
: https://datadating.tacticaltech.org/viz
"In May 2017 Tactical Tech and artist @Joana_Moll purchased 1 million online dating profiles for 136€ from USDate, a supposedly US-based company that trades in dating profiles from all over the globe. The batch of dating profiles we purchased included pictures (almost 5 million of them), usernames, e-mail addresses, nationality, gender, age and detailed personal information about all of the people who had created the profiles, such as their sexual orientation, interests, profession, thorough physical characteristics and personality traits. Purchasing this data exposed a vast network of companies that are capitalising on this information without the conscious consent of the users, whom ultimately are the ones being exploited."
Me fait penser à https://liens.vincent-bonnefille.fr/?bWkaUg
No Home Like Place - ce côté intrusif et esthétique du glitch_shading
In 2008 , the science-fiction movie Sleep Dealer by Alex Rivera envisioned a future which couldn’t be more timely: the border between Mexico und the US has been closed. Therefore, immigrant workers in the US have been replaced by robots. However, these robots are remotely controlled by people in Mexico who have their bodies plugged directly into the network.
Humans As Software Extensions
- Being Universally Addressable and Programmable
- Managing My Extensions
- The Total Freedom of Survival Creativity
- The Future of Work is a Lot of Work
- Seizing the Means of Magic
- Covert Interventions
- An Aesthetic of Detachment
Before the Internet, it would be really difficult to find someone, sit them down for ten minutes and get them to work for you, and then fire them after those ten minutes. But with technology, you can actually find them, pay them the tiny amount of money, and then get rid of them when you don’t need them anymore.
@via http://sebastianschmieg.com/how-to-appear-offline-forever/
online_création :
http://howtoappearofflineforever.online/
.dead (not) ->
https://web.archive.org/web/20210802055312/http://howtoappearofflineforever.online/
EVA AND FRANCO MATTES
http://0100101110101101.org
2000 - 2003
Originally commissioned by the Walker Art Center and curated by Steve Dietz, Life Sharing by Eva and Franco Mattes (0100101110101101.org) was a radical gesture of self-surveillance. For three years, the couple made the contents of their home computer accessible to the public. All of the contents–including files, emails, bank statements, and so on–were available in real time to be read, copied, and downloaded.
>> http://lifesharing.rhizome.org/
par Ben_Grosser 2015
computational surveillance system
Tracing You presents a website's best attempt to see the world from its visitors' viewpoints. By cross referencing visitor IP addresses with available online data sources, the system traces each visitor back through the network to its possible origin. The end of that trace is the closest available image that potentially shows the visitor's physical environment. Sometimes what this image shows is eerily accurate; other times it is wildly dislocated. What can a computational system know of our environment based on the traces we leave behind? Why might it want to see where we are?
Du même acabit
https://thedisconnect.co/one/
Like many other machine vision datasets (e.g. ImageNet), Microsoft’s COCO image recognition dataset is based on photos culled from Flickr. The dataset’s true value derives from the 600.000+ segmentations manually created by Mechanical_Turk crowd workers, based on those photos from Flickr. With Segmentation.Network I created a piece in which all segmentations are played back in a random order, making visible some of the manual labor that goes into building artificial intelligence.
exposition ++ https://silviolorusso.com/work/do-or-delegate/
via :: http://sebastianschmieg.com/text/humans-as-software-extensions/
# Article à ce sujet ( anglais )
http://sebastianschmieg.com/how-to-appear-offline-forever/
We are part of the privileged third of the world’s population that has access to the Internet. Teams at Facebook and Google are working on projects to build swarms of solar powered drones and balloons that would allow more people to connect to the Internet and take part in digital life. How to Appear Offline Forever explores visibility, labour and colonialism in a networked world, taking the endeavours of Internet drones as the starting point for intertwined stories happening in different places. [...]
Commissioned by @Abandon_Normal_Devices
https://www.andfestival.org.uk <3
Artists
. @!Mediengruppe_Bitnik
.. (design by Christoph Knoth and Konrad Renner)
. Date
.. 2017
. Description
.. !Mediengruppe Bitnik’s first monography injects code on online bookstores through its title: a line of Javascript that displays an alert popup.