Cité par @Aksioma
https://aksioma.org/unfixed.infrastructures <3
vàv de https://liens.vincent-bonnefille.fr/?nj0y3A
L'artiste organise des "Internet Tours" (en Bus) :
https://invidious.fdn.fr/watch?v=TB6cJSf1V5w
" Travel to my website, in the same way as a data packet 2016 "
( On arrive sur une page web qui représente un Terminal ( cli_bash )
La commande rentrée execute une traceroute entre l'ordinateur de @Mario_Santamaría et son site... avec un décompte de téléchargement en plusieures parties.
On peut ainsi télécharger son site compressé (.zip) avec un lot d'images sur la thématique des réseaux, de la transmission de pakets, leur suivi... beaucoup d'images. La première fait référence à @Tiqqun .
Il est surtout question du chemin et temps parcouru que le téléchargment rallllllllllonge.
Aperçu en image
9 septembre 2021
Data trafic algorithm embodied
From my home [Barcelona, ES] to my website [Bergamo, IT]. Nov 2016
Mario-santamaria:~$ traceroute mariosantamaria.net
traceroute to mariosantamaria.net (81.88.48.71).
64 hops max. 52 byte packets
via ( aller plus loin ? )
https://we-make-money-not-art.com/taking-data-packets-for-a-ride-an-interview-with-mario-santamaria/ <3 dn_tor_onion corpus 2019 @WeMakeArtNotMoney
Workshop 2019
https://pivilion.net/2019-workshop/
https://pivilion.net/tag/rpi/ 2020
via : https://schloss-post.com/art-dark-net/ ( @Schloss_Post interview_conférence )
On y voit un environnement_desktop de recherche_création en atelier_workshop / cours ...
Une exposition des terminaux ( cli_bash ) : une résidence
ça code : @Dina_Karadžić et @Vedran_Gligo
Pivilion is a decentralizing open source darknet web server project and gallery management software for the creation of autonomous & uncensored digital media art online galleries. It runs on low cost Raspberry Pi hardware and is built on top of Raspbian GNU/Linux with a server and Tor networking built in, utilizing the Tor network to host exhibitions out of the box.
Each Pivilion device receives a Tor onion domain automatically the first time it’s activated. The system provides the user with a CMS for publishing multimedia or websites within a gallery. It’s designed so that the author-curator can use any network (even public networks behind firewalls) to host an online exhibition.
via : https://schloss-post.com/the-first-schlosspost-web-residents/
Install Readme Git
https://gitlab.com/hacklab01/pivilion/-/wikis/pivilion-manual-setup
Ressemble à une adhoc_piratebox
DEAD .onion : http://pivilionumi6b3kg.onion/pavilion
org https://hacklab01.org <3 glitch aesthetique_goût hack
+) https://thewrong.org
via https://schloss-post.com/profilingtheprofilers/
--> https://schloss-post.com/from-surveillance-capitalism-to-glitch-capitalism/ <3
KEYWORDS
SURVEILLANCE CAPITALISM, GLITCH CAPITALISM, SOUSVEILLANCE, COUNTER-PROFILING, USER PROFILING, DATA MINING, BIG DATA ANALYTICS, ATTENTION ECONOMY, PAGERANK, GOOGLE MATRIX, MARKOV CHAIN, BLACK-BOX ALGORITHMS, TRUST IN DATA, FAKE NEWS, POST-TRUTH, WISDOM OF THE CROWD, SEMANTIC WEB
SUMMARY
- ABOUT PROFILING THE PROFILERS
- FROM SURVEILLANCE CAPITALISM TO GLITCH CAPITALISM
- USER PROFILING
- COUNTER PROFILING
- TARGETING BIG TECH COMPANIES
- ANNEX
- AFTERWORDS
https://coolguy.website/map-is-the-territory/introduction.html
Une introduction narrative (en anglais) aux mystérieuses lignes de commandes et autres terminaux pseudo muets... une entrée en matière bien pensée, drole, sensible !
Un peu du meme type,
cette fois sur le CSS/HTML et sa mise en page
(plutot bien fourni, pédagogique)
https://curly-braces.hashbase.io/claimer.html
via un site de zines autour du code mais pas que :
https://solarpunk.cool/zines/
Terminal, un monde de text
le site et ses créations https://coolguy.website/home
indieweb web.créatif
fake deepfake
en voir d'autres, chats, machines...
via https://thephotographersgallery.org.uk/flash-fictions-open-call
"Within the Terms and Conditions’ is a part of a new form of practice of mine that I describe as ‘expanded documentary.’ I’m both an artist and a researcher; I’ve been researching online harassment, digital violence, and human rights in technology since 2013, and I’ve been making art for even longer. I’m interested in the ephemera of people, current events and communities, and this includes digital content. Memes, screen grabs, and ripped YouTube videos may seem like unusual topics for photojournalism and contemporary art, partly because the Web is already such a flat and image-focused space. However, this work lends itself well to expanded documentary; it’s a bit like taking a camera within the different corners of the Internet and documenting what is there. As an artist, I take the web seriously as a place where people live and events unfold because online life is real life, too. The phrase “it’s just the Internet, it’s not real life” minimises that digital harm but it is also a phrase I heard being repeated many times in my research, from online harassment videos to reactionist videos posted by white supremacists after the failed coup in the United States capital on 6 January, 2021 ."
note : parle aussi de TERFs and anti-trans rhetoric (terme ajouté à bulle)
A project by @Joana_Moll 2021
COVID-19 crisis has exposed a massive social, ecological, political, and economic systemic failure. Even though the causes and consequences of this crisis are highly complex and profound, we’ve been repeatedly told that it can be solved with yet another app. This technical problem-solving approach is commonly known as techno-solutionism. Techno-solutionism tends to simplify and obfuscate the several realities that trigger the particular problems that it’s trying to fix; it simply doesn’t cope with problems. Even though it’s been demonstrated that techno-solutionism doesn’t work when it comes to fixing highly complex events, such as the current global pandemic, it is once again enthusiastically embraced as the only possible answer to a critical situation. But who is defining and implementing these technological fixes?
https://thephotographersgallery.org.uk/imaginingnetworks <3
...
https://thephotographersgallery.org.uk/joana-moll
https://www.janavirgin.com/
_DEFOOOOOOOOOOOOOOOOOOOOOREST ( 2016 )
_THE DATING BROKERS ( 2018 )
_ALGORITHMS ALLOWED ( 2017 )
_THE HIDDEN LIFE OF AN AMAZON USER ( 2019 )
_ULTIMATE SOLVERS ( 2020 )
http://www.janavirgin.com/HEK/about.html
Le @CSNI est un site ressources / processus.créa.art
" During the mandate, Lara will explore the intersections between ironic and informative usage of Internet. She will conduct a series of interviews and create a digital archive of ‘Weird Web’ examples. "
" I first came across the term ‘Weird Web’ on It's Nice That in an article written by coder and artist Neal Agarwal. He describes an early form of the internet before its monetisation and intense focus on clicks and social media. He describes this former internet as ‘a place where online creators expressed themselves through interactive content, games & experiments. It was a place that brought delight & joy.’ I believe that if you look hard enough, you might just find that the weird web lives on today. "
...
" According to psychologist and professor Larry Rosen , ‘We willingly push any and every button because we hope that it provides a squirt of dopamine for pleasure.’ And so, you will likely find yourself clicking the tantalising Useless Web button and BOOM a whole digital world of uselessness explodes (or rather, is opened tab by tab in your browser bar). Each time you press the button you’ll be taken to a different domain which hosts creative, silly and seemingly pointless content. " nudge
" One of the main people that spurred my interest in useless websites was an artist called @Rafaël_Rozendaal who has been an internet artist forever, well longer than I’ve known about internet art. He is one of the original internet artists. "
Originally published on: theweirderweb.xyz [DEAD] "
A conversation with @Tim_Holman ( w/ @Lara_Chapman ) 2012 2019
via "Partir en vadrouille" + Pushing Useless Buttons [ Bulle ]
https://www.chrisharrison.net/index.php/Visualizations/InternetMap
https://www.opte.org/the-internet/ ( timelapse vidéo 1997 - 2021 )
https://www.submarinecablemap.com ( câbles sous-marins )
https://liens.vincent-bonnefille.fr/?fuNIdg ( illegal map of internet Carnabot 2012 )
---
Des cartes d'internet (par contenus-communautés) chez XKCD
https://www.explainxkcd.com/wiki/index.php/256:_Online_Communities#Ocean_of_Subculture_and_Sea_of_Memes_.28East.29
https://www.explainxkcd.com/wiki/index.php/802:_Online_Communities_2
Cartes par plages IPv4 IPv6
https://www.explainxkcd.com/wiki/index.php/195:_Map_of_the_Internet
https://www.explainxkcd.com/wiki/index.php/865:_Nanobots (limite ipv6)
@Darknet_Diaries ( podcast )
https://darknetdiaries.com/episode/13/
https://darknetdiaries.com/transcript/13/ hypothesis
https://liens.vincent-bonnefille.fr/?cVx5Bw
"While playing around with the Nmap Scripting Engine_ (NSE) we discovered an amazing number of open embedded devices on the Internet. Many of them are based on Linux and allow login to standard BusyBox with empty or default credentials. We used these devices to build a distributed port scanner to scan all IPv4 addresses. These scans include service probes for the most common ports, ICMP ping, reverse DNS and SYN scans. We analyzed some of the data to get an estimation of the IP address usage.
All data gathered during our research is released into the public domain for further study. "
2012
-
Carte interactive
http://census2012.sourceforge.net/hilbert/index.html -
Paper (intro)
https://census2012.sourceforge.net/paper.html -
paper (étude)
https://citeseerx.ist.psu.edu/document?repid=rep1&type=pdf&doi=ccc3f8ae7e9bdfadc98d17b731e3a85f2c4834bb -
archive :
https://web.archive.org/web/20180216031145/http://census2012.sourceforge.net/paper.html
Adresses IP
( et masques de sous-réseau )
-
https://www.frameip.com/masques-de-sous-reseau/ hypothesis
Une adresse IP divisée en 2 parties
cest le masque de sous réseau qui rend distinct les 2)
la première (avec des bit 1 => contient le réseau)
la seconde (avec des bit 0 => id unique d'une machine sur ce réseau)l’adresse IP est une suite de 4 octets, soit 32 bits. Chacun des ces bits peut prendre la valeur 1 ou 0. Et bien il nous suffit de dire que les bits à 1 représenteront la partie réseau de l’adresse, et les bits à 0 la partie machine
-
https://fr.wikipedia.org/wiki/Octet hypothesis
En informatique, un octet est un multiplet de 8 bits codant une information1. Dans ce système de codage s'appuyant sur le système binaire, un octet permet de représenter 2^8 (2puissance8) nombres, soit 256 valeurs différentes.
IP 0.0.0.0 -> 255.255.255.255
-
htps://www.frameip.com/masques-de-sous-reseau/
Calcul nombre total :
En y regardant d’un peu plus près, on peut calculer le nombre de machines que l’on peut identifier à l’aide de cet adressage. Ainsi, on utilise 4 octets, soit 32 bits, soit encore 2^32 adresses (2 exposant 32 adresses) Or 2^32 = 4 294 967 296, on peut donc définir un peu plus de 4 milliards d’adresses !!!
-
CAIRN (leur attribution)
https://fr.wikipedia.org/wiki/Internet_Corporation_for_Assigned_Names_and_Numbers
Story
(1) Chercheurs en sécurité trouvent qu'un grand nombre de machines ont le port Telnet ouvert
(1a) Nmap : https://www.kali.org/tools/nmap/
(1b) qu'ils sont peu sécurésés avec un pwd par défaut
(2) Ils décident de répliquer à grande échelle l'experience ( illégale )
=> Augmenter le nombre de ces machines
( = les hacker ==> pouvoir y installer d'autres logiciels que ceux du constructeur )
(3) Ils se rendent compte du grand nombre de machines = 40000+
( 420,000 systems )
(3b) Ils auraient pu en faire une armée de bot => attaque DDOS
(4) Ils décident d'utiliser ce super pouvoir pour :
(4a) - faire une photographie du réseau
càd - de toutes les connexions IP qui répondent au pings
//// un projet a grande échelle avec une lourde logistique + adaptabilité
///// + éthique , ils décident de ne pas s'attaquer à certaines infra
///// + d'user un minimum d'énergie
==> de sauvegarder ces données
==> ( 3.6 billion==milliard IPs )
(4b) de débusquer un virus ( Aidra ) présent sur "leurs" machines
== Aidra 30,000 /sur les/ 420,000 Cara
+ prévenir les usagers des routeurs mal sécurisés
(4c) d'en faire la spatialité / map / visualisation
. . .
ÉTUDE COMPLETE 2018
? pourquoi Hilbert Curve
-
https://blog.benjojo.co.uk/post/scan-ping-the-internet-hilbert-curve
? passer entre toutes les plages d'IP ( masques de sous-réseaux )
: Courbe de remplissage
fr : https://fr.wikipedia.org/wiki/Courbe_remplissante
eng : https://en.wikipedia.org/wiki/Space-filling_curve
-
https://blog.benjojo.co.uk/asset/OHMMBrt565
-> git tool https://github.com/measurement-factory/ipv4-heatmap
( APNIC : https://fr.wikipedia.org/wiki/Asia-Pacific_Network_Information_Center )
TLD
- git Carabot TLDs
https://github.com/decal/werdlists/blob/master/dns-toplevel/carna-botnet-tlds.txt - .apple
https://icannwiki.org/.apple
Articles ( hypothesis )
- DarknetDiaries ( podcast )
https://darknetdiaries.com/transcript/13/ hypothesis - Researcher sets up illegal 420,000 node botnet for IPv4 internet map • The Register
https://www.theregister.com/2013/03/19/carna_botnet_ipv4_internet_map/ - Hacker Measures the Internet Illegally with Carna Botnet - DER SPIEGEL
https://www.spiegel.de/international/world/hacker-measures-the-internet-illegally-with-carna-botnet-a-890413.html
WHOIS MAPS
- Internet Identifier Consumption (IIC) - CAIDA
https://www.caida.org/archive/id-consumption/ - IPv4 Census Map - CAIDA
https://www.caida.org/archive/id-consumption/census-map/
COMICS
-
https://xkcd.com/195/ (map and grass not used parts)
-
https://xkcd.com/865/ ( nano bots en manque d'IP(v4) )
- 865: Nanobots - explain xkcd
https://www.explainxkcd.com/wiki/index.php/865:_Nanobots - 802: Online Communities 2 - explain xkcd
https://www.explainxkcd.com/wiki/index.php/802:_Online_Communities_2 - 195: Map of the Internet - explain xkcd map_carte GAFAM
https://www.explainxkcd.com/wiki/index.php/195:_Map_of_the_Internet
Breaches / Vulnerabilities
- https://www.shodan.io
- https://informationisbeautiful.net/visualizations/worlds-biggest-data-breaches-hacks/
@Nicolas_Maigret avait produit une carte de la distance entre les points/villes du monde
musique and... folow the crowd of cursors
Espace web infini Hotglue
alternativeto : EtherPad (,;
"Your World of Text is an infinite grid of text editable by any visitor. The changes made by other people appear on your screen as they happen. Everyone starts in the same place, but you can scroll through the world using your mouse."
https://www.yourworldoftext.com/~vincentb/ ( projet_perso )
https://elmcip.net/creative-work/your-world-text ( Recherche, litterature 2.0 )
`-. U P E R cool folder-architectured co-www-exhibition index page ftp ( 2020 )
`-'
@the_wrong : digital art biennale https://thewrong.org
the squatted.online embassy reflects on the possibilities of squatting a digital space ♦ in the context of our exhibition, we try to look at the internet as an architectural space where each webpage is a building ♦
+>
https://squatted.online/squat/mailbox/call-for-artists.html : 2019 :
Back in 2003 , Steven Johnson [1] highlighted some of the major aspects of the internet by describing it as a city. Indeed, the web has been built and experienced by many people; wide participation has fueled its growth, yet this interconnection is cordoned into parts, each retaining its own independence.[...] For this reason, algorithms on social media, or any other kind of tracking algorithms, act as a reminder that the promise of a free internet has evolved into a powerful surveillance tool.
...
Edit javascript into a html page with `eval()`...
https://squatted.online/squat/main_entrance/staircase/meta-mezzanine/
Some strange blank pages with strange links in source code
An happy messy place
...
txt interessant sur le cyber-squatting, ses limites (et contradictions)
https://liens.vincent-bonnefille.fr/?QE9y1Q
---
Electro + eZine édition_zine
https://squatted.online/squat/main_entrance/staircase/floor_2/bedroom_1/drawer/index.html
via : https://www.are.na/minkyoung-kim/low-tech-network
1 Websites are places. They provide services and social environments. Like architecture, they distribute access and atmospheric context to these resources: Watching a video on Nowness is different from watching a video on YouTube.
2 Websites are inherently public. Architecture is by nature a public discipline. Both buildings and websites are built realities. They are part of the fabric of societies that are now both physical and virtual.
3 Websites are inhabited. They become part of societies through the interactions they enable. They are homes to communities, to thoughts and approaches. They may be privately owned and operated, but inhabited and used by the public. As buildings, websites are where we spend our lives.
4 Websites are local, despite their distributed nature. Websites adhere to culturally established patterns, languages and user expectations in similar ways architecture does. Buying an onigiri from a 7-11 branch is different from buying a pretzel from a Bavarian bakery.