https://unthinking.photography/articles/interview-with-nestor-sire
https://unthinking.photography/articles/interview-with-nestor-sire-part-ii
" By the mid- 2000 s, cell phones, computers and DVD players could be bought on the black market and many families acquired them. So, with the absence of the Internet, businesses like my grandfather's started renting audio-visual materials for home-entertainment. "
" Can you explain what El Paquete Semanal is? "
"My grandfather creating copies of films on VHS cassettes with two video cassettes"
Expo :
- https://nestorsire.com/en/obras/ ( posts - items - iterations )
http://www.nestorsire.com/2018/09/12/commons-la_red-snet-2018/2018
--> https://nestorsire.com/paquete-semanal/
( #.dead https://web.archive.org/web/20210507230129/http://www.nestorsire.com/2018/09/12/commons-la_red-snet-2018/ )


Interview
- (FR) https://www.switchonpaper.com/societe/liberte-dexpression/el-paquete-tout-cuba-sur-une-cle-usb/ + Exposition


- --> http://queensmuseum.org/2017/01/julia-weist 2017
Vidéo
- https://invidious.fdn.fr/watch?v=XHvo7hDDPW0

- https://vimeo.com/140535814 (packetos documetaire de NS)
Bulle in the past : https://liens.vincent-bonnefille.fr/?E-jaow
- On le retrouve dans le Cinéma Pirate Book :
http://thepiratebook.net/el-paquete-semanal-cuba/
"Within the Terms and Conditions’ is a part of a new form of practice of mine that I describe as ‘expanded documentary.’ I’m both an artist and a researcher; I’ve been researching online harassment, digital violence, and human rights in technology since 2013, and I’ve been making art for even longer. I’m interested in the ephemera of people, current events and communities, and this includes digital content. Memes, screen grabs, and ripped YouTube videos may seem like unusual topics for photojournalism and contemporary art, partly because the Web is already such a flat and image-focused space. However, this work lends itself well to expanded documentary; it’s a bit like taking a camera within the different corners of the Internet and documenting what is there. As an artist, I take the web seriously as a place where people live and events unfold because online life is real life, too. The phrase “it’s just the Internet, it’s not real life” minimises that digital harm but it is also a phrase I heard being repeated many times in my research, from online harassment videos to reactionist videos posted by white supremacists after the failed coup in the United States capital on 6 January, 2021 ."
note : parle aussi de TERFs and anti-trans rhetoric (terme ajouté à bulle)
A project by @Joana_Moll 2021
COVID-19 crisis has exposed a massive social, ecological, political, and economic systemic failure. Even though the causes and consequences of this crisis are highly complex and profound, we’ve been repeatedly told that it can be solved with yet another app. This technical problem-solving approach is commonly known as techno-solutionism. Techno-solutionism tends to simplify and obfuscate the several realities that trigger the particular problems that it’s trying to fix; it simply doesn’t cope with problems. Even though it’s been demonstrated that techno-solutionism doesn’t work when it comes to fixing highly complex events, such as the current global pandemic, it is once again enthusiastically embraced as the only possible answer to a critical situation. But who is defining and implementing these technological fixes?
https://thephotographersgallery.org.uk/imaginingnetworks #<3
.dead => https://web.archive.org/web/20210626174703/https://thephotographersgallery.org.uk/imaginingnetworks
interview
https://invidious.fdn.fr/watch?v=PGtQT_PGeGQ
part of ( 2022 )
https://aksioma.org/new.extractivism
œuvres / pièces
...
https://thephotographersgallery.org.uk/joana-moll
https://www.janavirgin.com ( site de l'artiste )
_DEFOOOOOOOOOOOOOOOOOOOOOREST ( 2016 )
https://www.janavirgin.com/CO2/DEFOOOOOOOOOOOOOOOOOOOOOREST.html
.
_THE DATING BROKERS ( 2018 )
https://datadating.tacticaltech.org
https://datadating.tacticaltech.org/viz
.
_ALGORITHMS ALLOWED ( 2017 )
http://algorithmsallowed.schloss-post.com
.
_THE HIDDEN LIFE OF AN AMAZON USER ( 2019 )
https://www.janavirgin.com/AMZ/
. . .
Le @CSNI est un site ressources / processus.créa.art
FULL .pdf
via CSNI – Centre for the Study of the Networked Image
https://www.centreforthestudyof.net/ [bulle]
...
via https://networkedart.blog/blog/2020/10/12/geoff-cox-the-museum-of-ordure-2001-onwards/
from https://liens.vincent-bonnefille.fr/?tIgT6g
Some cool titles :
NFTS and Photography
Rhizome ArtBase Relaunch
Alternative networks in Cuba
Book launch: Aesthetic Programming
Call for funded PhD: Networked Curating
The Environmental Impacts of Digital Cultural Production
Between Camera & Network: Art and Documentation in Post-Photographic Culture
via https://networkedart.blog/blog/2020/10/12/geoff-cox-the-museum-of-ordure-2001-onwards/
from https://liens.vincent-bonnefille.fr/?tIgT6g
https://networkedart.blog/blog/2021/06/13/isea-workshop-blog-the-museum-of-ordure-by-bilyana-palankasova/
"Networked Art Practice after Digital Preservation”
The Museum of Ordure’s Mission is to examine:
The cultural value of ordure, shit, rubbish.
The waste of human resources through various ownership, production, and management regimes.
What is shit for some, has value for others.1
finded via https://liens.vincent-bonnefille.fr/?ZAgXwA
I came to this^ conclusion sometime during quarantine when I realized that certain websites give me a sense of shelter and rest more than others.
These spaces that particularly stood out to me all had some quality of
slowness,
quiet,
and/or gathering.
More serious liste with filter, conferences...
http://aaaan.net
" During the mandate, Lara will explore the intersections between ironic and informative usage of Internet. She will conduct a series of interviews and create a digital archive of ‘Weird Web’ examples. "
" I first came across the term ‘Weird Web’ on It's Nice That in an article written by coder and artist Neal Agarwal. He describes an early form of the internet before its monetisation and intense focus on clicks and social media. He describes this former internet as ‘a place where online creators expressed themselves through interactive content, games & experiments. It was a place that brought delight & joy.’ I believe that if you look hard enough, you might just find that the weird web lives on today. "
...
" According to psychologist and professor Larry Rosen , ‘We willingly push any and every button because we hope that it provides a squirt of dopamine for pleasure.’ And so, you will likely find yourself clicking the tantalising Useless Web button and BOOM a whole digital world of uselessness explodes (or rather, is opened tab by tab in your browser bar). Each time you press the button you’ll be taken to a different domain which hosts creative, silly and seemingly pointless content. " nudge
" One of the main people that spurred my interest in useless websites was an artist called @Rafaël_Rozendaal who has been an internet artist forever, well longer than I’ve known about internet art. He is one of the original internet artists. "
Originally published on: theweirderweb.xyz [DEAD] "
A conversation with @Tim_Holman ( w/ @Lara_Chapman ) 2012 2019
via "Partir en vadrouille" + Pushing Useless Buttons [ Bulle ]
Sites au design brutalist.... interview
@ici Amy Plant
élève à l'école 42...
Un ton décalé, perso, une belle narration
( 2024
From Print to Ebooks: a Hybrid Publishing Toolkit for the Arts pdf
-
paged.js
publication programmatique
https://www.pagedmedia.org/a-year-in-the-paginated-world/ -
bookdown
Une référence
https://bookdown.org -
jupyterbook
https://jupyterbook.org/index.html -
Laika (re) pandoc alt
http://planet42.github.io/Laika/0.17/01-about-laika/02-design-goals.html
@Darknet_Diaries ( podcast )
https://darknetdiaries.com/episode/13/
https://darknetdiaries.com/transcript/13/ hypothesis
https://liens.vincent-bonnefille.fr/?cVx5Bw
"While playing around with the Nmap Scripting Engine_ (NSE) we discovered an amazing number of open embedded devices on the Internet. Many of them are based on Linux and allow login to standard BusyBox with empty or default credentials. We used these devices to build a distributed port scanner to scan all IPv4 addresses. These scans include service probes for the most common ports, ICMP ping, reverse DNS and SYN scans. We analyzed some of the data to get an estimation of the IP address usage.
All data gathered during our research is released into the public domain for further study. "
2012
-
Carte interactive
http://census2012.sourceforge.net/hilbert/index.html -
Paper (intro)
https://census2012.sourceforge.net/paper.html -
paper (étude)
https://citeseerx.ist.psu.edu/document?repid=rep1&type=pdf&doi=ccc3f8ae7e9bdfadc98d17b731e3a85f2c4834bb -
archive :
https://web.archive.org/web/20180216031145/http://census2012.sourceforge.net/paper.html
Adresses IP
( et masques de sous-réseau )
-
https://www.frameip.com/masques-de-sous-reseau/ hypothesis
Une adresse IP divisée en 2 parties
cest le masque de sous réseau qui rend distinct les 2)
la première (avec des bit 1 => contient le réseau)
la seconde (avec des bit 0 => id unique d'une machine sur ce réseau)l’adresse IP est une suite de 4 octets, soit 32 bits. Chacun des ces bits peut prendre la valeur 1 ou 0. Et bien il nous suffit de dire que les bits à 1 représenteront la partie réseau de l’adresse, et les bits à 0 la partie machine
-
https://fr.wikipedia.org/wiki/Octet hypothesis
En informatique, un octet est un multiplet de 8 bits codant une information1. Dans ce système de codage s'appuyant sur le système binaire, un octet permet de représenter 2^8 (2puissance8) nombres, soit 256 valeurs différentes.
IP 0.0.0.0 -> 255.255.255.255
-
htps://www.frameip.com/masques-de-sous-reseau/
Calcul nombre total :
En y regardant d’un peu plus près, on peut calculer le nombre de machines que l’on peut identifier à l’aide de cet adressage. Ainsi, on utilise 4 octets, soit 32 bits, soit encore 2^32 adresses (2 exposant 32 adresses) Or 2^32 = 4 294 967 296, on peut donc définir un peu plus de 4 milliards d’adresses !!!
-
CAIRN (leur attribution)
https://fr.wikipedia.org/wiki/Internet_Corporation_for_Assigned_Names_and_Numbers
Story
(1) Chercheurs en sécurité trouvent qu'un grand nombre de machines ont le port Telnet ouvert
(1a) Nmap : https://www.kali.org/tools/nmap/
(1b) qu'ils sont peu sécurésés avec un pwd par défaut
(2) Ils décident de répliquer à grande échelle l'experience ( illégale )
=> Augmenter le nombre de ces machines
( = les hacker ==> pouvoir y installer d'autres logiciels que ceux du constructeur )
(3) Ils se rendent compte du grand nombre de machines = 40000+
( 420,000 systems )
(3b) Ils auraient pu en faire une armée de bot => attaque DDOS

(4) Ils décident d'utiliser ce super pouvoir pour :
(4a) - faire une photographie du réseau
càd - de toutes les connexions IP qui répondent au pings
//// un projet a grande échelle avec une lourde logistique + adaptabilité
///// + éthique , ils décident de ne pas s'attaquer à certaines infra
///// + d'user un minimum d'énergie
==> de sauvegarder ces données
==> ( 3.6 billion==milliard IPs )
(4b) de débusquer un virus ( Aidra ) présent sur "leurs" machines
== Aidra 30,000 /sur les/ 420,000 Cara
+ prévenir les usagers des routeurs mal sécurisés
(4c) d'en faire la spatialité / map / visualisation
. . .
ÉTUDE COMPLETE 2018
? pourquoi Hilbert Curve
-
https://blog.benjojo.co.uk/post/scan-ping-the-internet-hilbert-curve
? passer entre toutes les plages d'IP ( masques de sous-réseaux )
: Courbe de remplissage
fr : https://fr.wikipedia.org/wiki/Courbe_remplissante
eng : https://en.wikipedia.org/wiki/Space-filling_curve

-
https://blog.benjojo.co.uk/asset/OHMMBrt565
-> git tool https://github.com/measurement-factory/ipv4-heatmap
( APNIC : https://fr.wikipedia.org/wiki/Asia-Pacific_Network_Information_Center )
TLD
- git Carabot TLDs
https://github.com/decal/werdlists/blob/master/dns-toplevel/carna-botnet-tlds.txt - .apple
https://icannwiki.org/.apple
Articles ( hypothesis )
- DarknetDiaries ( podcast )
https://darknetdiaries.com/transcript/13/ hypothesis - Researcher sets up illegal 420,000 node botnet for IPv4 internet map • The Register
https://www.theregister.com/2013/03/19/carna_botnet_ipv4_internet_map/ - Hacker Measures the Internet Illegally with Carna Botnet - DER SPIEGEL
https://www.spiegel.de/international/world/hacker-measures-the-internet-illegally-with-carna-botnet-a-890413.html
WHOIS MAPS
- Internet Identifier Consumption (IIC) - CAIDA
https://www.caida.org/archive/id-consumption/ - IPv4 Census Map - CAIDA
https://www.caida.org/archive/id-consumption/census-map/
COMICS
-
https://xkcd.com/195/ (map and grass not used parts)

-
https://xkcd.com/865/ ( nano bots en manque d'IP(v4) )

- 865: Nanobots - explain xkcd
https://www.explainxkcd.com/wiki/index.php/865:_Nanobots - 802: Online Communities 2 - explain xkcd
https://www.explainxkcd.com/wiki/index.php/802:_Online_Communities_2 - 195: Map of the Internet - explain xkcd map_carte GAFAM
https://www.explainxkcd.com/wiki/index.php/195:_Map_of_the_Internet
Breaches / Vulnerabilities
- https://www.shodan.io
- https://informationisbeautiful.net/visualizations/worlds-biggest-data-breaches-hacks/
@Nicolas_Maigret avait produit une carte de la distance entre les points/villes du monde
"Early computer e-commerce was mostly business-to-business: price quotes, order entry, and money transfers. E-commerce came to the average consumer in the 1980s on France’s Minitel, and in the 1990 's on the Web."
[ site dé référence sur l'histoire de l'informatique dont Internet ]
Premier Spam : Brad Templeton, « Reaction to the DEC Spam of 1978 », https://www.templetons.com/brad/spamreact.html
Aussi cité par Ritimo https://liens.vincent-bonnefille.fr/?D4EdLg
...
https://cacm.acm.org/magazines/2019/8/238347-the-history-of-digital-spam/fulltext
Par @Finn_Brunton
ed. The MIT Press, 2013
"What spam is, how it works, and how it has shaped online communities and the Internet itself.
The vast majority of all email sent every day is spam, a variety of idiosyncratically spelled requests to provide account information, invitations to spend money on dubious products, and pleas to send cash overseas. Most of it is caught by filters before ever reaching an in-box. Where does it come from? As @Finn_Brunton explains in Spam, it is produced and shaped by many different populations around the world: programmers, con artists, bots and their botmasters, pharmaceutical merchants, marketers, identity thieves, crooked bankers and their victims, cops, lawyers, network security professionals, vigilantes, and hackers. Every time we go online, we participate in the system of spam, with choices, refusals, and purchases the consequences of which we may not understand."
Voir aussi https://cosmo-orbus.net/blog/sf/les-hauts-parleurs-alain-damasio/
2015
> quoted here https://liens.vincent-bonnefille.fr/?Tef4wA
Espace web infini Hotglue
alternativeto : EtherPad (,;
"Your World of Text is an infinite grid of text editable by any visitor. The changes made by other people appear on your screen as they happen. Everyone starts in the same place, but you can scroll through the world using your mouse."
https://www.yourworldoftext.com/~vincentb/ ( projet_perso )
https://elmcip.net/creative-work/your-world-text ( Recherche, litterature 2.0 )
`-. U P E R cool folder-architectured co-www-exhibition index page ftp ( 2020 )
`-'
@the_wrong : digital art biennale https://thewrong.org
the squatted.online embassy reflects on the possibilities of squatting a digital space ♦ in the context of our exhibition, we try to look at the internet as an architectural space where each webpage is a building ♦
+>
https://squatted.online/squat/mailbox/call-for-artists.html : 2019 :
Back in 2003 , Steven Johnson [1] highlighted some of the major aspects of the internet by describing it as a city. Indeed, the web has been built and experienced by many people; wide participation has fueled its growth, yet this interconnection is cordoned into parts, each retaining its own independence.[...] For this reason, algorithms on social media, or any other kind of tracking algorithms, act as a reminder that the promise of a free internet has evolved into a powerful surveillance tool.
...
Edit javascript into a html page with `eval()`...
https://squatted.online/squat/main_entrance/staircase/meta-mezzanine/
Some strange blank pages with strange links in source code
An happy messy place
...
txt interessant sur le cyber-squatting, ses limites (et contradictions)
https://liens.vincent-bonnefille.fr/?QE9y1Q
---
Electro + eZine édition_zine
https://squatted.online/squat/main_entrance/staircase/floor_2/bedroom_1/drawer/index.html
via : https://www.are.na/minkyoung-kim/low-tech-network
.dead
{cette bulle} m'a bien inspiré
J'ai depuis fais plusieurs articles/bulles à ce sujet : bibliothèque_librairie
Plus+ spécifiquement :
J'adore @serveur410
Dans l’ombre d’internet… des bibliothèques illégales
-
Qui sont les bibliothèques de l’ombre ?
- Les bibliothèques de l’ombre généralistes :
- Memory of the World #<3
- Library Genesis*
- Library.nu Gigapedia
- Imperial Library of Trantor
- textz.com https://textz.com <3
Les bibliothèques de l’ombre spécialisées : - UbuWeb art artiste
- Monoskop** art
- Aaaaarg*** (sur invitation)
- Sci-Hub search_engine science @Sci-Hub
- Quand l’illégalité fait naître l’utilité
- L’histoire des bibliothèques de l’ombre
-
https://libgen.fun
https://alternativeto.net/software/z-lib/ (...) @Z-Libary
** https://monoskop.org/Shadow_libraries <3
*** https://monoskop.org/Aaaaarg > https://aaaaarg.fail
+> https://liens.vincent-bonnefille.fr/?GrqFDw